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"The Internet Archive is not hurting the revenue of the recording industry at all," Seubert suggested, while noting that his opinions don't "mean squat" since h
by ilamont 2y ago
"The Internet Archive is not hurting the revenue of the recording industry at all," Seubert suggested, while noting that his opinions don't "mean squat" since he's not a lawyer. "It has no impact on their revenue." Instead, he suspects that labels' lawsuit is "somehow vindictive," because the labels perhaps "don't like the Internet Archive's way of pushing the envelope on copyright and fair use."
Record companies, artists and other rights holders are not pursuing lawsuits because they are "somehow vindictive" or want to send a message.
Lawsuits are huge, expensive headaches that force the plaintiffs to not only take a public stance on sensitive issues, but also force them to reveal details about their operations, communications, and business relationships. Like anyone else who goes through the trouble of pursuing a case on IP grounds, they feel their rights have been violated and they want redress.
They're also looking at this as part of a long-term fight over how IP gets used, just as the Internet Archive is.
- dchichkov 2y agoJust in case, here's the list of these labels: - UMG Recordings, Inc. - Capitol Records, LLC - Concord Bicycle Assets, LLC - CMGI Recorded Music Assets LLC - Sony Music Entertainment - Arista Music Taken from: https://cdn.arstechnica.net/wp-content/uploads/2025/03/UMG-v-Internet-Archive-Proposed-Seconded-Amended-Complaint-3-6-25.pdf https://cdn.arstechnica.net/wp-content/uploads/2025/03/UMG-v...
- lurk2 2y agoI think his point is that the damages they are seeking are basically punitive, not related to actual losses that they have suffered. I doubt anyone is losing too much sleep over this issue, but the approach the record labels are taking seems like it is clearly intended to dissuade others from doing anything similar to what the Internet Archive is trying to do. The RIAA has a track record of these kinds of punitive measures; think of the music piracy lawsuits they were filing in the mid-2000s.
- freejazz 2y agoBut that's exactly what the copyright act provides for... statutory damages not tied to the actual damages lost by the copyright owner, and they are only available in limited circumstances. And statutory damages still have to be tied to something tangible, like the lost license fee, and they do explicitly allow for a jury to add a punitive element. >The RIAA has a track record of these kinds of punitive measures; think of the music piracy lawsuits they were filing in the mid-2000s. How were those punitive as opposed to not? Should they have not sued at all and just let the infringers continue?
- lurk2 2y ago> How were those punitive as opposed to not? Should they have not sued at all and just let the infringers continue? In Arista Records LLC v. Lime Group LLC, they tried to sue for more money than existed on earth. I'm not saying they didn't have a case against individual cases of infringement, but it was quite clear what they were doing while they were doing it. The goal was always to intimidate would-be pirates with high-profile cases about grandmas and teenagers losing the family house because they downloaded an MP3 off Kazaa. The damages the RIAA sought from these people were completely disproportionate to the actual financial losses they demonstrated, to the point of being unconscionable. It's notable that they eventually abandoned this strategy by the end of the 2000s as public opinion began turning against them. Weird Al wrote a song about it: https://www.youtube.com/watch?v=zGM8PT1eAvY https://www.youtube.com/watch?v=zGM8PT1eAvY
- freejazz 2y agoThere's pretty much no way any court ever gives any copyright holder the maximum amount allowed under statutory damages, which is only trebled to the possibility of $150k when the infringement was willful. I love Weird Al, but I don't go to him for legal advice or analysis!
- lurk2 2y agoMaybe the United States District Court for the Southern District of New York will convince you where Weird Al could not: > Defendants face a potential award of over a billion dollars in statutory damages alone. If Plaintiffs were able to pursue a statutory damage theory predicated on the number of direct infringers per work, Defendants’ damages could reach into the trillions. See Dkt Entry No. 461 (“Thousands (or even millions) of uploads and downloads occurred across disparate users.”) 3 As Defendants note, Plaintiffs are suggesting an award that is “more money than the entire music recording industry has made since Edison’s invention of the phonograph in 1877.”
- pessimizer 2y ago> Record companies, artists and other rights holders are not pursuing lawsuits because they are "somehow vindictive" or want to send a message. > They're also looking at this as part of a long-term fight over how IP gets used, just as the Internet Archive is. Part of the fight is sending messages. Almost all of the fight is sending messages, actually. It's lobbying government, arguing in the courts, lobbying people in general, and creating fear in people who would share their works. "Somehow vindictive" is just anthropomorphizing. They want the most money. They think that these are the tactics that will bring them the most money. If letting everybody share freely made them more money, they'd do that.