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Athletes and musicians pursue fundamentals because they have time; their “work” occurs in intense but short bursts of performances, leaving them the rest of the
by ychen306 2y ago
Athletes and musicians pursue fundamentals because they have time; their “work” occurs in intense but short bursts of performances, leaving them the rest of their days to practice. Knowledge workers don’t “practice” because their job (long-term research or whatever) demands much more time and commitment.
- abletonlive 2y agoperhaps if you have a very narrow definition of what a "musician" is. a modern music producer will literally spend 700 hours on a single song.
- ychen306 2y agoIn this instance what would qualify as “pursing fundamentals” for a producer as defined by the author?
- Juliate 2y agoResting ears. Ear training. Doing your scales. Training your taste. (re)learning old/new tech/tools/instrument/history/theory of music. (re)listening to known/new music from separate styles/periods/cultures. Listening to artists you work for/with. Training/mentoring others.
- nradov 2y agoSome of this is covered in the book "The Creative Act" by noted producer Rick Rubin. https://www.penguinrandomhouse.com/books/717356/the-creative-act-by-rick-rubin/ https://www.penguinrandomhouse.com/books/717356/the-creative...
- jameshart 2y agoDoes that kind of musician also spend time practicing? Because the comparison we’re being offered is to a concert musician, and their work routine is likely very different to a music producer.
- johnnyanmac 2y agoIt's all relative of course. But keep on mind that 700 hours is about 4.5 months of full time work. I sure have had epics lasting much longer than that. And the "concert" is just shipping/launching whole I'm already working on the next epic. Maybe later on we bug fix, but we never truly get to "own" a feature the way a musician owns a song and gets to re-perform it in their repertoire. I'm not really trying to establish which is harder or easier. Just that the pipelines and layoffs differ immensely. And