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Charted: 50 Years of Music Industry Revenues, by Format
- gorgoiler 3y agoWhy isn’t the bottom of the graph flat? I can see how at any particular year the revenue from each source is represented by its color in the vertical slice, but what is the significance of the baseline going up and down over time?
- wigster 3y agoit is vertically symmetrical. it just doesn't look like it is because the horizontal year axis is in the wrong place. i am happy to say i never spent a penny on a ring tone.
- atlasunshrugged 3y agoI am sad to say I definitely did, that said I feel like it was a rite of passage for a Motorola Razr owner
- brookst 3y agoBut it’s not vertically symmetrical? Look at paid streaming. Definitely not symmetrical.
- jeremiahbuckley 3y agoThe vertical is total revenue for the year, centered around the axis. More emotional than a flat bottom edge, less info, less wasted space on the page. The bands appear to be stacked older-format-lower. It’s visually interesting, but without a vertical scale I’m immediately suspicious.
- layer8 3y agoThis is missing a line for (pre-recorded) MiniDisc sales. ;)
- karmakaze 3y agoI wonder if that's larger than for prerecorded DCC (Digital Compact Cassette). There's still some for sale[0]. [0] https://www.dccmuseum.com/cassettes/our-dcc-releases https://www.dccmuseum.com/cassettes/our-dcc-releases
- lostlogin 3y agoMaybe it’s there but is sub pixel?
- layer8 3y agoIf it’s not in the legend, it’s not there.
- mynegation 3y agoDo we need even more confirmation that 1999 was the greatest year ever?
- tiahura 3y agoWhoever designed that graph …
- cf100clunk 3y agoFor sites like that graph thank goodness I have Kill Sticky Headers bookmarked: https://alisdair.mcdiarmid.org/kill-sticky-headers/ https://alisdair.mcdiarmid.org/kill-sticky-headers/
- archiewood 3y agoThe linked source data from the RIAA is presented much better: https://www.riaa.com/u-s-sales-database/ https://www.riaa.com/u-s-sales-database/ Positive money is up on the y axis
- auggierose 3y agoOh, thanks, was wondering about how to interpret these graphs as well. Really weird design.
- doublepg23 3y agoHuh, viewing the graph "adjusted for inflation" this seems to suggest to me streaming has solved the crisis of making money for artists? It seems like there's a sharp jump for the 20s and it's reaching 70s highs again.
- 8ytecoder 3y agoI believe it's extremely lopsided. The top artists take up a lion's share of the revenue while smaller artists make much much lower than what they used to make in sales. Smaller artists mostly use the streaming platforms for publicity and then make most of their money from their performances.
- deleted 3y ago[deleted]
- eduction 3y ago1. That graph shows adjusted revenues lower than the 90s and early 2000s and even one or two years in the 70s. 2. It’s not a chart of what artists take home, but rather raw top line revenue, and it seems clear from all available evidence that the economics of Spotify et al are significantly worse for artists than they were with CDs. People have accepted this because it seemed better than piracy where revenue is zero.
- wwweston 3y agoNope. Streaming cannibalized recording sales, where artists got more of that revenue. Payouts for artists on streaming are fractional and arguably opaque than per recording sales (most of the problems of record company contracts & accounting and then a few more to boot). They don't take home the revenue you're seeing here. We had a missed opportunity to let digital recording retail replace media sales, the Bandcamp model could have been bigger. Spotify moved fast and broke a lot of things and did more goddamned damage to the sector than "piracy" by adopting the fundamental business model with a bit of convenience and veneer of legitimacy.
- slg 3y agoWhy is ad supported streaming considered a sale but radio isn't?
- helixten 3y agoIf I am not mistaken, over the air radio does not have to pay royalties.
- tfigueroa 3y agoMostly correct. Radio, satellite, and internet all pay different kinds of royalties at different levels (or used to, last I checked). I believe radio only pays the songwriters/publishers, whereas [streamer] might’ve also paid the performers. This is also different than how individual companies - say Spotify - pay for content via direct deals. I’m also confused because Pandora is ad-supported and generated ~1B per year, but the numbers here are low. But that may be captured in some other metric.
- sys_64738 3y agoThat graph, what the heck is it even meant to be?
- RugnirViking 3y agooverall span is the total revenue, the individual colours within are the share of each format. normally a graph like that would be fine but they mirrored it across the x axis because someone in the chain don't care about the data really they just want the appearance of statistics. that sort of mirrored plot is gaining traction is some science fields too and some people hate it, look up "violin plot"
- IshKebab 3y agoI thought it was pretty clear actually. One of the better visualisations you see - they didn't make any major mistakes. If you want to see some truly grotesque visualisations go to /r/dataisbeautiful.
- sys_64738 3y agoWhy does 8-Track look like the Great state of Texas?
- scarface_74 3y agoAnd Spotify has never made a profit. https://www.businessofapps.com/data/spotify-statistics/#:~:text=Spotify%20has%20not%20reported%20an,takes%2030%20percent%20of%20profits https://www.businessofapps.com/data/spotify-statistics/#:~:t....
- zmix 3y agoI was always a vinyl guy. At least up into the late 90's, when digital sound engineering started to become on par with analog. At least for my taste. I will never forgive myself, that I didn't buy tons and tons of vinyl at the end of the 80's, early 90's, when they could be had for cents/piece. Admittedly I was a very poor student back then, but I should have spent less money on party and more money on vinyl.
- moribvndvs 3y agoIn the DIY scene (hardcore, punk, metal, etc.) vinyl was a very popular format for independent bands because it was cheap and accessible (both for the bands, their small labels if they even had one, and the fans), but I think obscurity and doing the opposite of what the mainstream is doing were significant factors as well. I used to have an absolute shitload of 7”, EPs, and LPs from random bands all over the world but I got rid of them because a good amount of it I didn’t listen to anymore, and I just didn’t have the space for a record collection. Some of those records that I got for next to nothing are outrageously expensive now in the aftermarket. With the vinyl revival that’s been happening for a few years, oddly enough some bands are going to cassette tapes for similar reasons as the old vinyl days. I’m looking forward to the 8 track revival and the wax cylinder revival.