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To me it wasn't until I saw his painting in person at the Van Gogh museum. I had never seen painting with just so much physical, 3D realism to them (the paint
by dekhn 3y ago
To me it wasn't until I saw his painting in person at the Van Gogh museum. I had never seen painting with just so much physical, 3D realism to them (the paint projects off the canvas some 5-10mm in places). I've never seen anything quite like it from that era.
Some others that I've gained appreciation for over time: Rembrandt (seeing the Night Watch in person, alone, was amazing), Vermeer (he was barely known until fairly recently), Suerat (didn't quite appreciate pontillism until I read more about color theory).
- noduerme 3y agoSeeing them in person makes an enormous difference. And the Van Gogh museum is spectacular. I already liked his work, but I felt like I understood it much more, including how tactile his process was. A particular piece that really blew my mind to see in person was Bosch's "Garden of Earthly Delights" at the Prado in Madrid. It left a lifelong impression (I've returned to see it several times). What I realized was, panning all over a high res digital version, you never get the sense of the whole or the theatrical scale of the thing. It's like watching a movie on your phone versus at an IMAX.
- agent327 3y agoI had the same experience with the Garden of Earthly Delights: it leaves a lasting impression. It's so incredibly weird; parts of it look like a seventies comic (or perhaps older sci-fi book cover art) instead of a half a millennium old painting. If I may give a recommendation :-) Another painting that left a lasting impression on me was "Virgin and Child with Canon van der Paele", located in Bruge, in Belgium. It doesn't have the weirdness of the Bosch painting, but it's just so incredibly detailed, and unlike the more famous Lamb of God, you can come to within 5cm of it.
- coldcode 3y agoI stood in front of The Starry Night at MOMO in New York City for a long time, trying to imagine what it felt like for him to stand in front of a blank canvas, thinking what should I do today, and come up with that.