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Funny he pins Springsteen’s success on his lyricism when he was using a rhyming dictionary to write basically all of Welcome to Asbury Park and was obviously ap
by dclowd9901 4y ago
Funny he pins Springsteen’s success on his lyricism when he was using a rhyming dictionary to write basically all of Welcome to Asbury Park and was obviously aping the blue collar poeticism of Bob Dylan.
I love Springsteen, but it’s mostly because the E Street band is absolutely bonkers good.
- selcuka 4y ago> he was using a rhyming dictionary Apparently manual LLVMs were a thing back then.
- pbhjpbhj 4y agoWhat is LLVM here, 'large language vector models' (not a term I know)? Or a typo for LLM?
- richrichardsson 4y agoMost likely just a muscle memory typo: https://llvm.org/ https://llvm.org/
- selcuka 4y agoYeah, it's a typo. Not sure whether I was thinking of LVM (Logical Volume Manager) or LLVM...
- rocketbop 4y agoRegarding your mention of rhyming dictionaries, it's perhaps not widely known, but they are not considered cheats by most songwriters, but rather essential tools of the trade, like code editors or inline docs for programmers. If you pointedly refuse to use one you're not being more authentic, you're just making your job much harder. At the risk of destroying the mystique of the craft, I will also say that they are not used in the way you might think. Instead of writing the second line of a verse and then looking for a rhyming word that somehow fits, it's common to compile lists of relevant rhymes to your starter material and theme, and work backwards, creating lines that connect to the rhymes. If you do this the other way around it's very hard to write meaningful verses without abandoning your rhyming scheme.
- markeibes 4y agoHave you Read the lyrics to "For You" recently? It's not the rhymes that make them give me goosebumps
- kevin_thibedeau 4y agoListen to his Sessions Band recordings, particularly Live in Dublin.