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If the plot is good, then dated effects don't matter. Both the 1916 and 1954 versions of 20,000 Leagues Under the Sea hold up today. I guess some people just
by LarryMullins 4y ago
If the plot is good, then dated effects don't matter. Both the 1916 and 1954 versions of 20,000 Leagues Under the Sea hold up today.
I guess some people just can't cope with anything but the most cutting edge effects. If they notice something is fake the movie experience is ruined for them or something. I'm glad I'm not afflicted with this.
- Aeolun 4y agoIt’s not a problem as long as the experience is consistent. If you have an otherwise beautiful movie that suddenly comes out with a terrible effect they would have been better off without it.
- cormacrelf 4y agoEh, that can be good still. Terminator 1 has the shitty stop motion fully metal terminator at the end, but if you consider the impact that the poor technology had on the movie as a whole, they were essentially forced to leave it to the end because of the low quality. It was a good creative constraint, which served to draw out the tension by only progressively revealing the true nature of the thing, which also concealed how it might be beaten. It also didn’t matter too much because the audience already understood how scary it was by the time the effect came on, so we were able to suspend disbelief easily, and if you watch the movie start to finish for the first time today, it’d be the same. The pacing ended up being incredibly good. Would they have hit that with better effects? Still possible, less likely.