There's also the takes about quality: > In this new model for storytelling, volume is more important than quality. > which places more value on the content pl

There's also the takes about quality: > In this new model for storytelling, volume is more important than quality. > which places more value on the content platform and its library than the quality of each individual piece of content. (this one is repeated twice) > The subscription model means content providers are paid regularly no matter the quality and quantity of the product The idea that the hit model with large budget waste is the only way to drive talented people is just wrong, people can produce great content on low budget, it's just another kind of talent, for another kind of content. Certainly platforms should not try to produce content alike the ones of the hit model, but I'm not that sure that the public, and neither the industry, is losing that much.