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Nikon Z9 Disassembly and Teardown

pdpi 4y ago
> Mirrorless cameras have all been lighter and more compact than their DSLR counterparts, but with Z9 and the R3, Nikon and Canon have changed that. This is a recurring topic that never gets the attention it deserves. These cameras are big on purpose. It's not sacrificing portability to push the other specs up, it's a feature unto itself. I shoot with Sony cameras, and own a full-frame a7iii and an APS-C a6400. The a6400 is much smaller and more compact than the a7iii, and it's light enough that I can just leave it in my backpack as an everyday carry sort of camera. Problem is, I like shooting wildlife, especially birds, and need a chunky telephoto lens for that. My 100-400 is a chunky hunk of metal, heavy and with a fair bit of the weight towards the far end. I only very rarely use that lens on the a6400, because that body is just too damn small and light. It's light enough that it offers no counterweight to balance out the heavy lens, and it's small enough that it's not comfortable to hold all that weight. It also has, quite simply, a fair bit less space for control surfaces. Cameras like the Z9 and the R1 aren't hobbyist cameras, they're not even the sort of cameras a photo journalist would use. They're specifically for sports and wildlife, and their size is meant to help you control [this sort of beast](https://www.canon.co.uk/lenses/ef-800mm-f-5-6l-is-usm-lens/ https://www.canon.co.uk/lenses/ef-800mm-f-5-6l-is-usm-lens/).
- heartbreak 4y ago
  What do you make of the Sony a1, with its detachable battery grip? Sony made it so that the camera could be compact when needed (ex. traveling or on a gimbal) and full-sized when weight isn’t an issue. The Sony a1 is of course the choice of the Associated Press, and were heavily used at last year’s Olympics. https://www.ap.org/press-releases/2020/ap-to-equip-all-visual-journalists-globally-with-sony-imaging-products https://www.ap.org/press-releases/2020/ap-to-equip-all-visua...
  - sudosysgen 4y ago
    All Sony fullframe mirrorless cameras have a detachable grip. I personally love it for just that purpose.
    - heartbreak 4y ago
      Yeah, I didn’t mention that but I use the same grip on my a9 series cameras that I use on my a1. It really is a nice setup that I think is under-appreciated. I went to a football game pre-a1 and had a 400mm 2.8 on the a9 II without the grip and I had multiple photogs carrying similar lenses with full size DSLRs on the back ask me about mirrorless. The difference in weight alone between my kit and theirs was astounding. It’s rare that something that game-changing appears in such an established market.
- mikece 4y ago
  I wonder if the "big on purpose" is because photographers got used to the size of previous generation cameras and would rather have a full-sized body to grip than the miniaturized technical wonders like the Sony APS-C cameras which, while highly capable cameras feel like well-built toys. I bought my a6400 because of the reviews on the eye-AF which is flat-out amazing. But I absolutely hate the feel of the body and wish I could have the electronics of an a7-III or a7-IV in the body of a Nikon D700... something that feels like it was designed by a photographer and not an electrical engineer with a specialty in compact design.
  - bayindirh 4y ago
    I shoot with an A7iii (and I owned a D70s before), and while it's small, it's not uncontrollable or unbalanced for my use. Bigger (mirrorless) cameras are bigger on purpose because you can fit more batteries inside and control heat better amongst other things, but I wouldn't want my A7iii to be the size of D70s or any DSLR, because it really hinders portability of these devices. I agree Sony's APS-C cameras maybe miniaturized a bit too much, but A7/A9 series' size is perfect IMHO (and they manage their heat really well).
    - retcon 4y ago
      Reflex mirror assemblies require physical damping that smaller bodies seriously struggle with. Engineering reasons trump Japanese desire for smaller cameras;)
      - bayindirh 4y ago
        I meant bigger "mirrorless" cameras in my previous comment, sorry. Clarified that comment too.
  - tokamak-teapot 4y ago
    The most important 'feature' that comes with a large camera body, for me, is that when I operate the controls, I don't lose my grip. This means I can operate controls at the same time, in quick succession, etc. When I'm wanting to use all the tools available to me to get the perfect shot, I want to be able to reach them and operate quickly. On my smaller-bodied Fuji mirrorless, there's no viewfinder and I almost always shoot in a fully automatic mode. This is great for holiday photos, where it's much more about the memory and much less about the 'art'.
- makeitdouble 4y ago
  By curiosity, if a camera's body is just too impractical for a specific use, would it work with a body extension ? I was thinking for instance about the extra grip that can be added on Canon/Nikon's middle range models that make them easier to manipulate for vertical shoots. While the top of the line comes built with grips in both directions, options exist for the smaller bodies. We already have flash brackets, cinematographic rigs etc., would it be realistic to have an outer frame for your a6400 when it's equipped with your 100-400 telephoto ?
  - pdpi 4y ago
    I do have an L-bracket with a built-in grip[0] that I can use with the a6400. It does make the grip itself more comfortable, but the added volume then moves the shutter release too far back relative to the grip, which brings us back to an uncomfortable shooting experience. I don't think fixing ergonomics after the fact works. 0. https://www.amazon.co.uk/SMALLRIG-Bracket-Sony-A6400-A6300/dp/B07V6GFBWH https://www.amazon.co.uk/SMALLRIG-Bracket-Sony-A6400-A6300/d...
  - KineticLensman 4y ago
    > would it work with a body extension ? Yes for extra batteries and perhaps vertical shutter release (as per my D850's body extension) but a larger body can have more controls and displays that can't be easily extended. The larger size allows for much more than just a more easily grippable physical object.
- altarius 4y ago
  I don't know. This comes up all the time in photog discussions but I think it's just a matter of older Pros being used to it. Last Olympics was the first time I saw almost as many Sony cameras as Canon in the stands, so we will see if the pros all go back to CaNikon because they can't live with Sony and their argos - plenty of people have shot Sony now and Canon/Nikon have equal alternatives. Canon/Nikon and Sony sure have different ergonomic visions. But I think, at the end of the day, it's more about professional support, parts and service availability, turnaround and general reliability than size/ergo. Personally, I'm in the Sony camp - I use my 200-600 for hours for wildlife with my "bare" A9 or RIV without any issues. I feel like it's really the lens I'm holding and the camera is just an attachment I look through. Imo, Sony's customizable enough that _anything_ is just a button away without ever taking my eyes off the EVF, no need for a larger body to fit the buttons and dials. But to each their own, and it's a great that we now have all the options. And wildlife is a bit of specialty field, AF performance ultimately trumps ergonomics for most serious photographers, I think.
  - retcon 4y ago
    Sony's A1 became available almost half a pro body (4yr/2, actually nearer1.5y given pre production) than any other top level mirrorless cameras. This plus very aggressive selling support services to the agencies(which are a negligible number of pros globally especially in the states) gave Sony the home advantage Japanese pride fully deserved. As is self evident the performance level available from the A1 is too good to pass, especially when it's the only show in town. But the A1 is the first professionally usable Sony period. Tokyo was Act1, Scene 1.
  - retcon 4y ago
    I've been channelling Thom Hogan who I've been reading for over 25 years. Thom is the most rational (and frequently only sensible) publicly available voice in the technical aspects of photography. Thom also worked for Osborne Computer.. Edit: https://bythom.com https://bythom.com. by the looks of things about everyone here ought to go catch up with Thom's writings ;)
  - pdpi 4y ago
    I only got into photography a few years ago, and I almost immediately felt this issue, so it's clearly not just a matter of habit. It's also important to note we're not comparing between different brands here, we're comparing models within the same brand. E.g. Canon has the R3 but they also have the R5, which is much more appropriate for all professional uses that don't involve shooting action. And finally, speaking of Sony ergonomics, e.g. my a6400 can't fit the focus joystick I have on my a7iii.
- sumoboy 4y ago
  I've shot the z9 and it's pretty amazing but definitely not perfect. The teardown was pretty cool, always wonder when they put it back together if it still worked. Shooting sports side by side with a D5, pro level mirrorless has more to improve upon. The pro dslr's canon 1Dx series and Nikon D4,5,6 series are big and heavy, but that size all translates into a single battery that shoots 3000-5000 shots and numerous custom buttons to quickly change a variety of settings fast which is important. Most have never experienced shooting with these bodies but are quick to whine about every aspect. When it comes to getting a shot they are indispensable with sports, wildlife, events because they just work. Especially in poor weather conditions. Since covid I skipped the canon 1dx3 upgrade and after shooting the z9 will skip the r3 now. Still sticking with Canon but will wait for R1 in hopes the EVF is flawless when panning shots. Spot on that these are not hobbyist camera's, but when do you get shoot with them everyday they definitely serve the intended purpose well.
  - retcon 4y ago
    I think that some users are actually expecting their EVFs to magically eliminate motion blur when panning. Have you tried the Z9 since the firmware brought faster refresh? I'm surprised you are passing the Z9 given it appears you shoot heterogeneous. That said I'm seriously looking at D6/120-300_2.8 for the similar reasons, but I think my reasons might be a bit more distilled.
    - sumoboy 4y ago
      I have too much invested in canon lens, but no hurry to switch a 100% over to mirrorless. D5 is bargain body, D6 is just refined further but super nice. Availability for z9 and r3 is ridiculous.
  - wwkeyboard 4y ago
    > always wonder when they put it back together if it still worked Kolari's whole business model involves disassembling cameras to change the filters on the sensors, so I suspect they know what they are doing.
- giuliomagnifico 4y ago
  Yes I agree with all. Indeed I’musing a Leica Q2 for photojournalism. I’m not photographing birds and sport but doing it with a A7 and a 2/300mm long lenses, will result in a heavy unbalanced and hard to handle setup (unless you use a tripod every time).
- HPsquared 4y ago
  A big sensor requires a big lens though, it's proportional. An equivalent APS-C "100-400" lens would be smaller, wouldn't it?
  - pdpi 4y ago
    It would, but then it'd lose the light-gathering advantage you get from a larger sensor. There is no free lunch. Also, for the sensor to have the same resolution as a full-frame sensor means smaller pixel sites, which requires a smaller circle of confusion for the same perceived quality, which puts more pressure on the optics.
- int0x2e 4y ago
  The "big on purpose" crowd is used to long focal length lenses being super big and heavy, and therefore need a heavy body as a counterweight. I know some would consider this blasphemy, but the micro-four-thirds (m43) platform with its 2x crop factor means that a pro level 600mm equivalent f4 telephoto with exceptional clarity can weigh under 1.5kg (instead of the 3 to 4kg of similar offerings for full-frame). When you factor in the weight of the total package (camera body, lens, accessories), the differences are very substantial. Sure - you won't be able to print your photos on wall-sized posters, but you will get great livability/usability, good performance at an attractive price.
  - mtrycz2 4y ago
    Would you really do sports with an m43, tho?
  - formerly_proven 4y ago
    > 2x crop factor means that a pro level 600mm equivalent f4 telephoto with exceptional clarity can weigh under 1.5kg (instead of the 3 to 4kg of similar offerings for full-frame) You mean a pro-level 600/f8 equivalent. You can get something similar for full-frame, like the Canon 600/f11 or 800/f11 which are like a kilogram.
    - petepete 4y ago
      The new Nikon 800mm f/6.3 fits in this niche perfectly. There's a new 400mm f/4.5 on the way too. If I was starting from scratch I'd totally be taking this route.
  - pdpi 4y ago
    That sounds good in theory, but it really doesn't work out in practice. If you want a like-for-like comparison, you end up with similar weights. The Olympus OM-D E-M1X comes in at 850g for the body alone, which puts it squarely between the Canon R3 (~1kg) and the Sony a1 (~750g). Once you adjust for the equivalent light-gathering ability of the whole kit , the Panasonic Leica 200mm f/2.8 is 1245g, versus the Canon 400mm f/5.6's 1250g.
vaidhy 4y ago
In addition to what @pdpi said, for me, there are a couple of key factors why the larger form factor makes sense.. When I am shooting birds and wildlife, I want to control the iso, shutter speed and/or aperture without taking my eyes off the viewfinder. Further, there are several times where I would tune the focus which means switching to manual and back to auto as needed. All of these need appropriately placed wheels and switches. Small form factor makes everything screen based and hard to access. The second and probably the more important aspect is heat dissipation. Sony A1 shoots a 50MP image at 8k and can shoot upto 30 frames per sec with compressed raw. Its autofocus system runs at 120 times/sec. All of this processing needs a lot of compute and that heat needs to be moved out somewhere. A large form makes it easier to have decent airflow between components.
- retcon 4y ago
  Do you mean tune focus as in lens back focus calibration, or fine tuning your focus point in the desired picture? If the latter you're doing it wrong ;)
  - vaidhy 4y ago
    The former.. Sometimes, the focus goes to background and I use the MF to bring it to the front and switch to AF.. I am curious about why the later is incorrect? If I focus on a bird and the AF decides that the branch next to it is the subject, you can use DMF to fine tune it (as I understand it).
- deleted 4y ago
  [deleted]
mnholt 4y ago
> It’s a shame Nikon couldn’t use CFexpress Type A cards like we saw on the Sony A1 and A7S III, which can still fit SD cards in their ports. Of course, given that Type A cards are manufactured by Sony, it’s understandable why Nikon wouldn’t want to use their competitor’s innovation on their flagship. I don't see how it is a shame. Nikon ensured users will have a better, more consistent user experience by going with Type B slots. Type A cards have half the theoretical max throughput [0] and cost more per GB. I suspect most people using a $5,500 camera don't put high importance on SD card compatibility. I think Sony uses Type A CFe due to their small bodies. [0] https://www.lexar.com/en/FAQs/what-is-the-difference-between-cfexpress-type-a-type-b-type-c-cards/ https://www.lexar.com/en/FAQs/what-is-the-difference-between...
- 127 4y ago
  Single memory card adds +10% to the price of a used Nikon Z6
- spoonjim 4y ago
  The point of a Type A is that it can fit an SD card, so if you need a card in a remote location you can get it conveniently.
  - mnholt 4y ago
    I understand that, but I think the target users of the Z9 would much rather have faster I/O. There are a number of articles and videos benchmarking the Z9 and the buffer performance is directly correlated to the speed of the storage. If Nikon went with Type A/SD their theoretical max buffer speed would get cut in half.
  - nsriv 4y ago
    It's one of those "limited consumer choices to ensure best experience" things. Using an SD card and it's slower I/O speeds would meaningfully degrade the video and burst capability, blackout free still shooting of the camera, so might as well enforce a higher standard tk ensure a uniform experience.
quixoticelixer- 4y ago
I wonder what goes into an Expeed 7 processor
efortis 4y ago
The Z9 uses a sensor by Sony (IMX609AQJ). Also, 30+ Nikon cameras use Sony sensors as well. Can anyone comment about this relationship? For instance, besides manufacturing it, did Sony design it too?
- arriu 4y ago
  It’s also interesting because there seems to be a competitive angle too. Sony makes cameras as well that use Sony sensors.
  - mimentum 4y ago
    There are contractual agreements in place to use certain designs over a given period of time. Therefore, Sony can invest and Nikon can benefit from Sony's products. It is a bit of a win-win situation. Otherwise, Nikon would be force to use another supplier's sensors (as they do and have done already in the past). Nikon don't have the capability to produce large scale sensors for their cosumer imaging devices at the present time and likely won't for the foreseeable future.
- retcon 4y ago
  These are customer runs of proprietary designs which extends to the filter pack, micro lens array and potentially the stacked data take off layout, but the core is all untouched Sony.
ge96 4y ago
Damn that display pivot is nuts I saw some shots of this plus their super telephoto lens, looks great, although I'm a Sony fanboy
walrus01 4y ago
The z9 is cool but I really want to see a canon r5c teardown, it has a big heatsink and active fan to optimize it for extended 8k video recording.
- NonNefarious 4y ago
  Except it's rendered wholly unacceptable for its target market by Canon's idiotic decision to go with a micro-HDMI port as its sole video output.
  - walrus01 4y ago
    Well, yes, I see the red komodo remaining much more popular for serious video in that price category.
    - NonNefarious 4y ago
      Even the little Panasonic GH6 has a full-sized HDMI port.
      - walrus01 4y ago
        I'm not so much concerned about full size HDMI vs small size (plenty of good quality custom length cables exist that are one size at one end, mini or micro, and full size at the other) but lack of SDI out port. generally having an SDI out port is a clear dividing line between serious/non-serious video cameras.
        NonNefarious 4y ago
        It's not the need for adaptation that's the problem with micro-HDMI; it's the ridiculous fragility of it. It WILL become faulty on the second day of use, making your "cine" camera useless for some applications. But yes, SDI is the hallmark of more-professional gear. I always thought it was perplexing that the first truly affordable UHD camera (the BlackMagic Production Camera 4K) only had SDI and no HDMI whatsoever. At $3K, it appealed to a market that would not own SDI-based equipment. But they were forced to buy a more-expensive SDI viewfinder or an HDMI adapter (and mess with powering it). Still... all of that is preferable to micro-HDMI.

pdpi 4y ago

> Mirrorless cameras have all been lighter and more compact than their DSLR counterparts, but with Z9 and the R3, Nikon and Canon have changed that. This is a recurring topic that never gets the attention it deserves. These cameras are big on purpose. It's not sacrificing portability to push the other specs up, it's a feature unto itself. I shoot with Sony cameras, and own a full-frame a7iii and an APS-C a6400. The a6400 is much smaller and more compact than the a7iii, and it's light enough that I can just leave it in my backpack as an everyday carry sort of camera. Problem is, I like shooting wildlife, especially birds, and need a chunky telephoto lens for that. My 100-400 is a chunky hunk of metal, heavy and with a fair bit of the weight towards the far end. I only very rarely use that lens on the a6400, because that body is just too damn small and light. It's light enough that it offers no counterweight to balance out the heavy lens, and it's small enough that it's not comfortable to hold all that weight. It also has, quite simply, a fair bit less space for control surfaces. Cameras like the Z9 and the R1 aren't hobbyist cameras, they're not even the sort of cameras a photo journalist would use. They're specifically for sports and wildlife, and their size is meant to help you control [this sort of beast](https://www.canon.co.uk/lenses/ef-800mm-f-5-6l-is-usm-lens/ https://www.canon.co.uk/lenses/ef-800mm-f-5-6l-is-usm-lens/).

heartbreak 4y ago
What do you make of the Sony a1, with its detachable battery grip? Sony made it so that the camera could be compact when needed (ex. traveling or on a gimbal) and full-sized when weight isn’t an issue. The Sony a1 is of course the choice of the Associated Press, and were heavily used at last year’s Olympics. https://www.ap.org/press-releases/2020/ap-to-equip-all-visual-journalists-globally-with-sony-imaging-products https://www.ap.org/press-releases/2020/ap-to-equip-all-visua...
- sudosysgen 4y ago
  All Sony fullframe mirrorless cameras have a detachable grip. I personally love it for just that purpose.
  - heartbreak 4y ago
    Yeah, I didn’t mention that but I use the same grip on my a9 series cameras that I use on my a1. It really is a nice setup that I think is under-appreciated. I went to a football game pre-a1 and had a 400mm 2.8 on the a9 II without the grip and I had multiple photogs carrying similar lenses with full size DSLRs on the back ask me about mirrorless. The difference in weight alone between my kit and theirs was astounding. It’s rare that something that game-changing appears in such an established market.
mikece 4y ago
I wonder if the "big on purpose" is because photographers got used to the size of previous generation cameras and would rather have a full-sized body to grip than the miniaturized technical wonders like the Sony APS-C cameras which, while highly capable cameras feel like well-built toys. I bought my a6400 because of the reviews on the eye-AF which is flat-out amazing. But I absolutely hate the feel of the body and wish I could have the electronics of an a7-III or a7-IV in the body of a Nikon D700... something that feels like it was designed by a photographer and not an electrical engineer with a specialty in compact design.
- bayindirh 4y ago
  I shoot with an A7iii (and I owned a D70s before), and while it's small, it's not uncontrollable or unbalanced for my use. Bigger (mirrorless) cameras are bigger on purpose because you can fit more batteries inside and control heat better amongst other things, but I wouldn't want my A7iii to be the size of D70s or any DSLR, because it really hinders portability of these devices. I agree Sony's APS-C cameras maybe miniaturized a bit too much, but A7/A9 series' size is perfect IMHO (and they manage their heat really well).
  - retcon 4y ago
    Reflex mirror assemblies require physical damping that smaller bodies seriously struggle with. Engineering reasons trump Japanese desire for smaller cameras;)
    - bayindirh 4y ago
      I meant bigger "mirrorless" cameras in my previous comment, sorry. Clarified that comment too.
- tokamak-teapot 4y ago
  The most important 'feature' that comes with a large camera body, for me, is that when I operate the controls, I don't lose my grip. This means I can operate controls at the same time, in quick succession, etc. When I'm wanting to use all the tools available to me to get the perfect shot, I want to be able to reach them and operate quickly. On my smaller-bodied Fuji mirrorless, there's no viewfinder and I almost always shoot in a fully automatic mode. This is great for holiday photos, where it's much more about the memory and much less about the 'art'.
makeitdouble 4y ago
By curiosity, if a camera's body is just too impractical for a specific use, would it work with a body extension ? I was thinking for instance about the extra grip that can be added on Canon/Nikon's middle range models that make them easier to manipulate for vertical shoots. While the top of the line comes built with grips in both directions, options exist for the smaller bodies. We already have flash brackets, cinematographic rigs etc., would it be realistic to have an outer frame for your a6400 when it's equipped with your 100-400 telephoto ?
- pdpi 4y ago
  I do have an L-bracket with a built-in grip[0] that I can use with the a6400. It does make the grip itself more comfortable, but the added volume then moves the shutter release too far back relative to the grip, which brings us back to an uncomfortable shooting experience. I don't think fixing ergonomics after the fact works. 0. https://www.amazon.co.uk/SMALLRIG-Bracket-Sony-A6400-A6300/dp/B07V6GFBWH https://www.amazon.co.uk/SMALLRIG-Bracket-Sony-A6400-A6300/d...
- KineticLensman 4y ago
  > would it work with a body extension ? Yes for extra batteries and perhaps vertical shutter release (as per my D850's body extension) but a larger body can have more controls and displays that can't be easily extended. The larger size allows for much more than just a more easily grippable physical object.
altarius 4y ago
I don't know. This comes up all the time in photog discussions but I think it's just a matter of older Pros being used to it. Last Olympics was the first time I saw almost as many Sony cameras as Canon in the stands, so we will see if the pros all go back to CaNikon because they can't live with Sony and their argos - plenty of people have shot Sony now and Canon/Nikon have equal alternatives. Canon/Nikon and Sony sure have different ergonomic visions. But I think, at the end of the day, it's more about professional support, parts and service availability, turnaround and general reliability than size/ergo. Personally, I'm in the Sony camp - I use my 200-600 for hours for wildlife with my "bare" A9 or RIV without any issues. I feel like it's really the lens I'm holding and the camera is just an attachment I look through. Imo, Sony's customizable enough that _anything_ is just a button away without ever taking my eyes off the EVF, no need for a larger body to fit the buttons and dials. But to each their own, and it's a great that we now have all the options. And wildlife is a bit of specialty field, AF performance ultimately trumps ergonomics for most serious photographers, I think.
- retcon 4y ago
  Sony's A1 became available almost half a pro body (4yr/2, actually nearer1.5y given pre production) than any other top level mirrorless cameras. This plus very aggressive selling support services to the agencies(which are a negligible number of pros globally especially in the states) gave Sony the home advantage Japanese pride fully deserved. As is self evident the performance level available from the A1 is too good to pass, especially when it's the only show in town. But the A1 is the first professionally usable Sony period. Tokyo was Act1, Scene 1.
- retcon 4y ago
  I've been channelling Thom Hogan who I've been reading for over 25 years. Thom is the most rational (and frequently only sensible) publicly available voice in the technical aspects of photography. Thom also worked for Osborne Computer.. Edit: https://bythom.com https://bythom.com. by the looks of things about everyone here ought to go catch up with Thom's writings ;)
- pdpi 4y ago
  I only got into photography a few years ago, and I almost immediately felt this issue, so it's clearly not just a matter of habit. It's also important to note we're not comparing between different brands here, we're comparing models within the same brand. E.g. Canon has the R3 but they also have the R5, which is much more appropriate for all professional uses that don't involve shooting action. And finally, speaking of Sony ergonomics, e.g. my a6400 can't fit the focus joystick I have on my a7iii.
sumoboy 4y ago
I've shot the z9 and it's pretty amazing but definitely not perfect. The teardown was pretty cool, always wonder when they put it back together if it still worked. Shooting sports side by side with a D5, pro level mirrorless has more to improve upon. The pro dslr's canon 1Dx series and Nikon D4,5,6 series are big and heavy, but that size all translates into a single battery that shoots 3000-5000 shots and numerous custom buttons to quickly change a variety of settings fast which is important. Most have never experienced shooting with these bodies but are quick to whine about every aspect. When it comes to getting a shot they are indispensable with sports, wildlife, events because they just work. Especially in poor weather conditions. Since covid I skipped the canon 1dx3 upgrade and after shooting the z9 will skip the r3 now. Still sticking with Canon but will wait for R1 in hopes the EVF is flawless when panning shots. Spot on that these are not hobbyist camera's, but when do you get shoot with them everyday they definitely serve the intended purpose well.
- retcon 4y ago
  I think that some users are actually expecting their EVFs to magically eliminate motion blur when panning. Have you tried the Z9 since the firmware brought faster refresh? I'm surprised you are passing the Z9 given it appears you shoot heterogeneous. That said I'm seriously looking at D6/120-300_2.8 for the similar reasons, but I think my reasons might be a bit more distilled.
  - sumoboy 4y ago
    I have too much invested in canon lens, but no hurry to switch a 100% over to mirrorless. D5 is bargain body, D6 is just refined further but super nice. Availability for z9 and r3 is ridiculous.
- wwkeyboard 4y ago
  > always wonder when they put it back together if it still worked Kolari's whole business model involves disassembling cameras to change the filters on the sensors, so I suspect they know what they are doing.
giuliomagnifico 4y ago
Yes I agree with all. Indeed I’musing a Leica Q2 for photojournalism. I’m not photographing birds and sport but doing it with a A7 and a 2/300mm long lenses, will result in a heavy unbalanced and hard to handle setup (unless you use a tripod every time).
HPsquared 4y ago
A big sensor requires a big lens though, it's proportional. An equivalent APS-C "100-400" lens would be smaller, wouldn't it?
- pdpi 4y ago
  It would, but then it'd lose the light-gathering advantage you get from a larger sensor. There is no free lunch. Also, for the sensor to have the same resolution as a full-frame sensor means smaller pixel sites, which requires a smaller circle of confusion for the same perceived quality, which puts more pressure on the optics.
int0x2e 4y ago
The "big on purpose" crowd is used to long focal length lenses being super big and heavy, and therefore need a heavy body as a counterweight. I know some would consider this blasphemy, but the micro-four-thirds (m43) platform with its 2x crop factor means that a pro level 600mm equivalent f4 telephoto with exceptional clarity can weigh under 1.5kg (instead of the 3 to 4kg of similar offerings for full-frame). When you factor in the weight of the total package (camera body, lens, accessories), the differences are very substantial. Sure - you won't be able to print your photos on wall-sized posters, but you will get great livability/usability, good performance at an attractive price.
- mtrycz2 4y ago
  Would you really do sports with an m43, tho?
- formerly_proven 4y ago
  > 2x crop factor means that a pro level 600mm equivalent f4 telephoto with exceptional clarity can weigh under 1.5kg (instead of the 3 to 4kg of similar offerings for full-frame) You mean a pro-level 600/f8 equivalent. You can get something similar for full-frame, like the Canon 600/f11 or 800/f11 which are like a kilogram.
  - petepete 4y ago
    The new Nikon 800mm f/6.3 fits in this niche perfectly. There's a new 400mm f/4.5 on the way too. If I was starting from scratch I'd totally be taking this route.
- pdpi 4y ago
  That sounds good in theory, but it really doesn't work out in practice. If you want a like-for-like comparison, you end up with similar weights. The Olympus OM-D E-M1X comes in at 850g for the body alone, which puts it squarely between the Canon R3 (~1kg) and the Sony a1 (~750g). Once you adjust for the equivalent light-gathering ability of the whole kit , the Panasonic Leica 200mm f/2.8 is 1245g, versus the Canon 400mm f/5.6's 1250g.

vaidhy 4y ago

In addition to what @pdpi said, for me, there are a couple of key factors why the larger form factor makes sense.. When I am shooting birds and wildlife, I want to control the iso, shutter speed and/or aperture without taking my eyes off the viewfinder. Further, there are several times where I would tune the focus which means switching to manual and back to auto as needed. All of these need appropriately placed wheels and switches. Small form factor makes everything screen based and hard to access. The second and probably the more important aspect is heat dissipation. Sony A1 shoots a 50MP image at 8k and can shoot upto 30 frames per sec with compressed raw. Its autofocus system runs at 120 times/sec. All of this processing needs a lot of compute and that heat needs to be moved out somewhere. A large form makes it easier to have decent airflow between components.

retcon 4y ago
Do you mean tune focus as in lens back focus calibration, or fine tuning your focus point in the desired picture? If the latter you're doing it wrong ;)
- vaidhy 4y ago
  The former.. Sometimes, the focus goes to background and I use the MF to bring it to the front and switch to AF.. I am curious about why the later is incorrect? If I focus on a bird and the AF decides that the branch next to it is the subject, you can use DMF to fine tune it (as I understand it).
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mnholt 4y ago

> It’s a shame Nikon couldn’t use CFexpress Type A cards like we saw on the Sony A1 and A7S III, which can still fit SD cards in their ports. Of course, given that Type A cards are manufactured by Sony, it’s understandable why Nikon wouldn’t want to use their competitor’s innovation on their flagship. I don't see how it is a shame. Nikon ensured users will have a better, more consistent user experience by going with Type B slots. Type A cards have half the theoretical max throughput [0] and cost more per GB. I suspect most people using a $5,500 camera don't put high importance on SD card compatibility. I think Sony uses Type A CFe due to their small bodies. [0] https://www.lexar.com/en/FAQs/what-is-the-difference-between-cfexpress-type-a-type-b-type-c-cards/ https://www.lexar.com/en/FAQs/what-is-the-difference-between...

127 4y ago
Single memory card adds +10% to the price of a used Nikon Z6
spoonjim 4y ago
The point of a Type A is that it can fit an SD card, so if you need a card in a remote location you can get it conveniently.
- mnholt 4y ago
  I understand that, but I think the target users of the Z9 would much rather have faster I/O. There are a number of articles and videos benchmarking the Z9 and the buffer performance is directly correlated to the speed of the storage. If Nikon went with Type A/SD their theoretical max buffer speed would get cut in half.
- nsriv 4y ago
  It's one of those "limited consumer choices to ensure best experience" things. Using an SD card and it's slower I/O speeds would meaningfully degrade the video and burst capability, blackout free still shooting of the camera, so might as well enforce a higher standard tk ensure a uniform experience.

quixoticelixer- 4y ago

I wonder what goes into an Expeed 7 processor

efortis 4y ago

The Z9 uses a sensor by Sony (IMX609AQJ). Also, 30+ Nikon cameras use Sony sensors as well. Can anyone comment about this relationship? For instance, besides manufacturing it, did Sony design it too?

arriu 4y ago
It’s also interesting because there seems to be a competitive angle too. Sony makes cameras as well that use Sony sensors.
- mimentum 4y ago
  There are contractual agreements in place to use certain designs over a given period of time. Therefore, Sony can invest and Nikon can benefit from Sony's products. It is a bit of a win-win situation. Otherwise, Nikon would be force to use another supplier's sensors (as they do and have done already in the past). Nikon don't have the capability to produce large scale sensors for their cosumer imaging devices at the present time and likely won't for the foreseeable future.
retcon 4y ago
These are customer runs of proprietary designs which extends to the filter pack, micro lens array and potentially the stacked data take off layout, but the core is all untouched Sony.

ge96 4y ago

Damn that display pivot is nuts I saw some shots of this plus their super telephoto lens, looks great, although I'm a Sony fanboy

walrus01 4y ago

The z9 is cool but I really want to see a canon r5c teardown, it has a big heatsink and active fan to optimize it for extended 8k video recording.

NonNefarious 4y ago
Except it's rendered wholly unacceptable for its target market by Canon's idiotic decision to go with a micro-HDMI port as its sole video output.
- walrus01 4y ago
  Well, yes, I see the red komodo remaining much more popular for serious video in that price category.
  - NonNefarious 4y ago
    Even the little Panasonic GH6 has a full-sized HDMI port.
    - walrus01 4y ago
      I'm not so much concerned about full size HDMI vs small size (plenty of good quality custom length cables exist that are one size at one end, mini or micro, and full size at the other) but lack of SDI out port. generally having an SDI out port is a clear dividing line between serious/non-serious video cameras.
      - NonNefarious 4y ago
        It's not the need for adaptation that's the problem with micro-HDMI; it's the ridiculous fragility of it. It WILL become faulty on the second day of use, making your "cine" camera useless for some applications. But yes, SDI is the hallmark of more-professional gear. I always thought it was perplexing that the first truly affordable UHD camera (the BlackMagic Production Camera 4K) only had SDI and no HDMI whatsoever. At $3K, it appealed to a market that would not own SDI-based equipment. But they were forced to buy a more-expensive SDI viewfinder or an HDMI adapter (and mess with powering it). Still... all of that is preferable to micro-HDMI.