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I don't think Spotify is the best example here, since I'm not particularly convinced that more cash going to them would end up in the hands of musicians. But c
by Wowfunhappy 5y ago
I don't think Spotify is the best example here, since I'm not particularly convinced that more cash going to them would end up in the hands of musicians.
But certainly, if I subscribe to The Economist I want as much of my money as possible to go to the journalists who actually write the content.
- Erwin 5y agoSpotify is public and you can see most of their numbers -- the Cost of Revenue for 2021 was 7 billion EUR on 9.6 in revenue. The cost is said to be mostly the royalties though it would include paying the many millions to some podcasters. The ad-supported users outnumbers premium users (236 million to 180 million) but bring in only 1/6th the revenue. So that's a factor depressing the payout per stream. https://investors.spotify.com/financials/press-release-details/2022/Spotify-Technology-S.A.-Announces-Financial-Results-for-Fourth-Quarter-2021/default.aspx https://investors.spotify.com/financials/press-release-detai...
- deleted 5y ago[deleted]
- falcolas 5y agoOr phrased slightly differently, Spotify takes 30% of revenue generated by selling access to artists' songs.
- dale_glass 5y agoSeems pretty fair, since if it was easy for an artist to undercut Spotify, they'd be doing it.
- falcolas 5y agoJust like the application developers on Google Play, Apple's app store, and Steam, eh?
- sodality2 5y agoThe difference is the artificial limitation placed on Play Store listings and Apple App Store, versus the freedom of an artist to sell their music to any other platform (it's just that it would be far less successful). The only "pull factor" Spotify has is the userbase, which is arguably fair. For Google, though, the "pull factor" is because you literally cannot sell directly to users through the Play Store. One could argue (on Android) that it's possible that you can install third-party markets, and that's true, but there's also pretty big roadblocks to installing, whereas selling on another music platform is much easier in comparison. (Don't believe me? Send your father an APK file and ask him to install it. Let alone iOS where this is not possible at all..
- grog454 5y ago> For Google, though, the "pull factor" is because you literally cannot sell directly to users through the Play Store. Couldn't you replace "Google" and "Play Store" with "Spotify"? You can "sell" your app directly to users through your own site (see Fortnite) or dubious sites like https://en.uptodown.com/android/general-android https://en.uptodown.com/android/general-android but you have the same "pull factor" with the Play Store that you do with Spotify (the user base). The Google + Play Store and Spotify (company) + Spotify (platforms) situations don't seem fundamentally different to me, just different by degrees. Google's monopoly on Android app distribution is unparalleled.
- sodality2 5y agoSpotify is a service whereas GP is an application platform. You distribute apps (services like Spotify) through GP, whereas you distribute product (songs) through Spotify. GP is the only (reasonable) way to get apps on Android, whereas there are dozens of legal licensed alternatives for Spotify. You can try to find alternatives for an app store, but that doesn't change the fact that inherently within Android, there are certain roadblocks that simply don't exist for a Spotify competitor, for example.
- dale_glass 5y agoLess problematic actually. If you don't like Google's policies you're a bit screwed since they control the platform very thoroughly. Spotify is just a convenience service in the end. They could sell their music through their own app, site, Magnatune, etc.
- heavyset_go 5y agoBandcamp takes 10% to 15%, which is still a lot, but definitely closer to "fair" than 30% is.
- selcuka 5y ago> if it was easy for an artist to undercut Spotify, they'd be doing it Isn't this the definition of a monopoly?
- HotHotLava 5y agoNo, the definition of a monopoly is "the exclusive possession or control of the supply of or trade in a commodity or service." A company that is not easy to undercut could just be an efficient business that operates roughly at cost without excessive margins.
- selcuka 5y agoI disagree. Spotify is practically a monopoly and is a rent-seeking entity. The reason artists can't go somewhere else is not because Spotify efficiently operates at cost (their gross margin was 26.5% in Q4), but because it's the only brand most customers know.
- mPReDiToR 5y agoDeezer is in competition, Amazon Music, YT Music. Monopoly doesn't apply, does it? Even DAB/FM radio takes their lunch.
- eyelidlessness 5y agoI think it’s worth taking fairness as a separate question, especially when posing the question about alternatives. This classic article by Steve Albini captures what monetizing music was like for artists before the Internet: https://thebaffler.com/salvos/the-problem-with-music https://thebaffler.com/salvos/the-problem-with-music That said, many artists have objected to subscription models like Spotify’s (Taylor Swift notably), or a la carte like Apple’s (Pink Floyd and Beatles’ estates notably). Most paid Internet music services have been a mixed bag of inconsistent payouts and artistic control. Spotify is definitely among them, even if it might be more attractive than a Record Deal^tm. In my experience and inferred from experiences of other artists, SoundCloud has the best exposure benefits for lesser known artists combined with the most freedom to monetize, and Bandcamp is the most straightforward self publishing platform for built in monetization. Comparatively, Spotify is basically, like Apple, filling the void of the record labels they usurped. While their terms are comparably “fair”, it’s easy to understand why they’re not ideal for a lot of artists.
- stormbrew 5y agoIt's probably not really possible to even estimate how much of actual cashflow is attributable to user income vs. artist payout from GAAP-based financial statements. And their cashflow statements are not particularly useful either. I'm sure a lot of nice things are "said to be," but if spotify were particularly proud of how much money they let through to artists I think they'd be touting it in more concrete ways. Anyways, this is a bit like looking at Walmart's COGS and declaring that they've never screwed over a supplier by forcing them to cut prices to the bone.
- Wowfunhappy 5y agoIt doesn't naturally follow that if I gave Spotify more money, they'd give it to the artists versus taking it as extra profit.
- TrueDuality 5y agoBut the corollary is definitely true, if 30% of the revenue goes to Google there is no chance of that money going to the artists.
- Wowfunhappy 5y agoSure, Spotify just isn’t the example I would choose to demonstrate OP’s point, which I thought was excellent.
- happymellon 5y agoThere is no proof that if Spotify gave the labels more money, that it would go to the artists. I think Spotify is an excellent example of labels using a 3rd party to mislead where they money is really going when Spotify is paying nearly 80% of its income as fees to 3rd parties.
- Wowfunhappy 5y agoYes, that too! There are multiple intermediaries involved here.
- happymellon 5y agoMaybe, but this is not Spotify that's the issue. They have a license to play music, and they pay for the songs at a rate that the labels charge for. If artists do not get enough money from streaming then their label should negotiate more from Spotify. If they are already taking 80% of Spotifys income then that means that either they aren't charging Spotify enough, and Spotify should charge users more, or they are taking a larger chunk and deflecting blame. With them using the RIAA for the longest time as a distraction from it actually being Sony et al that was suing it's customers, I would not be surprised if this is misguided blame again. But again, if artists do not get enough money from streaming music, then that is not Spotifys fault. It has paid for a product that it is reselling. You don't then get to bitch that you sold someone something for below the cost that you wanted to.
- chihuahua 5y agoFor Spotify in particular, I'd rather have more money going to Google instead of Spotify. Because I don't want to be funding Joe Rogan.
- dangus 5y agoIf you really wanted that you'd just not use Spotify at all.
- post-it 5y agoA silly response. It's much easier to not do anything than it is to move my music ecosystem somewhere else.
- lupire 5y agoThen you don't "don't want to be funding Joe Rogan at all".
- chucksmash 5y agoIt's not a silly response. "It's much easier not to switch" is just a peculiar way to spell "I don't care enough to switch" in this case. If someone doesn't care enough to do something as easy as switch music streaming services, do they actually care?
- dangus 5y agoThere are automated tools that can transfer your playlists between streaming platforms, just for your own future reference.
- chihuahua 5y agoThat is exactly what I have been doing all along.
- ikt 5y agowhich is odd because Rogan made most of his money from Youtube which is also Google, youtube was his biggest promotional tool. So I imagine you don't watch youtube either?
- ravenstine 5y agoI would still rather that The Google not get one cent, considering the transaction otherwise didn't need them at all, and the benefit to their involvement is rather dubious considering that all of my subscriptions may one day be inaccessible because The Google decides my account thinks wrong and closes it with no recourse.
- dehrmann 5y agoThis might have changed, but generally, Spotify pays 70% of premium revenue to rights holders[1], i.e., it's a variable cost. Most won't end up in the hands of artists, but I'm not sure if any streaming or purchase platform is better for that. 1: https://techcrunch.com/2017/03/18/dictate-top-40/ https://techcrunch.com/2017/03/18/dictate-top-40/
- Coolerbythelake 5y agoLet me tell you, as a musician and artist, the miniscule portion provided to the artists who supply the content is a travesty and a crime. This new partnership only serves to add more hands in the pie and squeeze out any hope of increases for the content creators. Every time you click on Spotify you are fueling the beast. I make more money selling one vinyl record at one live gig than I will make on Spotify for months. All of this is great news except for the little guys!!!
- Ntrails 5y agoSpotify seems designed to over-reward the high volume artists at the expense of the little guy assuming I understand their model correctly. Current: totalMoney x (totalListenTimeForArtist/totalListenTime) imo the sensible system looks like: PerUserMoney x (PerUserListenTimeForArtist/TotalUserListenTime) ie distribute each users subscription (minus fees) across the artists they list to so they don't just get dominated by big/popular music on repeat
- Melatonic 5y agoI subscribe to Spotify and I agree it is a travesty - hopefully some day we get a platform that is as easy to use and is not so unfriendly to artists.