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I greatly dislike Snow Crash: it feels like slogging through Leviticus, plus an astronomical amount of suspension of disbelief. However. There is no doubt in
by SeanLuke 6y ago
I greatly dislike Snow Crash: it feels like slogging through Leviticus, plus an astronomical amount of suspension of disbelief.
However.
There is no doubt in my mind that Snow Crash has the finest first chapter I have ever had the pleasure of reading. You should buy the book just for the first chapter.
- pengaru 6y ago> it feels like slogging through Leviticus, plus an astronomical amount of suspension of disbelief You sure you're not confusing it with Anathem? SnowCrash was a quick read for me, but Anathem made me hate reading and I don't think I even finished it.
- xyzzy_plugh 6y agoI loved Anathem, one of the few books I can say I absolutely devoured. Reamde on the other hand...
- throw1234651234 6y agoAnathem was the last passable novel before Neal Stephenson started writing "stories" around a sci-fi concept, rather than writing stories. A throwback to Zodiac, perhaps. Snow Crash and Diamond Age were his best works.
- AlisdairO 6y agoDiamond age was glorious (although I think possibly Stephenson's worst ratio of beginning:ending quality), but I adore Cryptonomicon.
- Icathian 6y agoI tried several times but could never get through Diamond Age. Snow Crash is one of my all time favorites and Zodiac was stellar, but that one just never clicked for me.
- LargeWu 6y agoI liked Reamde, but it's an atypical Stephenson book. Full of action, fast paced, pretty short on exposition, although there are some diversions about handguns and intercontinental aviation navigation.
- wcarey 6y agoHow far into Anathem did you make it? Anathem has a glacial beginning - the introduction is perhaps 200 pages long. But once you've survived that and the plot starts, it's quite compelling and pays off the glacial introduction. That said, it took me three tries to make it through the introduction. World building a society of mathematician-monks on another planet is tough going indeed.
- jrumbut 6y agoIt's funny, I had the opposite reaction. The first part was really a great coming-of-age story and was strangely comforting. The world is crazy, but there is a place for people who want to pursue knowledge. The second part felt like an interruption. I'm usually completely unable to and disinterested in guessing where a plot is going, but I could have summarized the second part without reading it and that made it drag (still decent, still fun at times, but I wish either the twists had been better or that the author had relied on them less).
- wcarey 6y agoAn interesting take for sure. I too read it as a coming of age story - also strangely comforting - but see the part after the plot proper begins as an allegorical coming of age story as well, recapitulating (and I think I can say this without spoiling the back half) the development of our understanding of mathematics and the natural world post-Newton. It's a bit like he transitions from a personal coming-of-age story to a societal coming of age story: what happens when you grow up and realize that the world is incomprehensibly weird?
- jrumbut 6y agoThat really reframed my whole understanding of the story, great!
- aporetics 6y agoAt the phrase “societal coming of age” I balked, but I guess the second half is putting the question “which society”, or rather which kind of society can inherit (that is, accept responsibility for) such knowledge? The grossest contrast is between the secular and mathic societies; but the remarkably well recreated dialectic between the Platonists and Sophists in the dinner conversation between the Incanters and Rhetors in the last Lucub... converging on Husserl and phenomenology...! that was golden (one of a few nuggets). Still I think the question of which society can “come of age” and inherit the world in its full, weird, complexity, is drawn back to the relationship between Orolo and Raz, because that is where the real spark of inspiration (and sacrifice, and fraternity) flies, and, improbably, catches fire.
- 6gvONxR4sf7o 6y agoFor what it's worth, when I first started Anathem, it was a slog and I put it down a little ways in. A few years later I tried it again and absolutely loved it. If you're a Stephenson fan, don't cross it off the list just yet.
- peteretep 6y agoAnathem I hated the first reading. I’ve now read it seven times, enjoying it more each time, taking time to try and understand it more and more each times. My most recent read of it was incredible, and it’s easily my favourite of his novels.
- anigbrowl 6y agoI'll see your Snow Crash opening chapter and raise you an Excession.
- brmgb 6y agoYou can't compare Stephenson and Banks. Banks is actually a good writer. I don't really enjoy Stephenson's prose. It's often plodding, rarely beautiful. Thankfuly, apart from its lacklustre ending, Snow Crash largely compensates through sheer entertainability. It's unapologetically fun in a genre which tends to take itself far to seriously. In good hands, I really think it can make a very good show.
- anigbrowl 6y agoHeh, sort of agree. It might well be enjoyable if played for laughs. The problem with Stephenson is I think a lot of people (not necessarily including Stephenson) take him far too seriously...
- sideshowb 6y agoIt fits a pattern of great books that overdo some sort of theoretical exposition. I think I skimmed or skipped a good chunk of The language stuff in snow crash (actually I may have read it all I can't remember, but I thought it went on a bit) The conspiracy stuff in Foucault's pendulum The Talmud stuff in Unsong I enjoyed all of these a lot though, especially snow crash and unsong
- prepend 6y agoBrothers Karamazov spends a lot of time on serfs and Russian clergy.
- slg 6y ago> it feels like slogging through Leviticus I genuinely laughed out loud when the article called the book "accessible". I enjoyed the book much more than you did, but it is nearly 500 pages long and full of long, in depth, and dry discussions about a variety of obscure topics like linguistics and ancient Sumerian mythology. That isn't for everyone.
- aidenn0 6y agoCompared to anything post-Cryptonomicon, it's incredibly accessible. The digressions into ancient sumerian mythology are broken up fairly well with action scenes. It's not like it spends 3 pages describing a technique for eating breakfast cereal...
- Balgair 6y agoI literally bought 5 boxes of Capt'n'Crunch to try to figure out what the hell he was talking about. He spent so long trying to get us to grok the process and experience the joy too. I tried, Neil, I really did. But I came up with bupkiss. It just cuts the roof of your mouth, Neil. There is no magic in them. No joy, just oral soreness. Also, the card deck cypher is really cool, but when your little cousin comes over and then ruins the cypher to play solitaire, yeah, that sucks.
- aporetics 6y agoThat he got you to try it is perhaps the best praise you could give.
- blaser-waffle 6y agoMostly nostalgia bait, they're little sugar bombs for kids... who go apeshit for anything sugar. Turns into a comfort food -- my dad still occasionally splurges on sugary breakfast cereal.
- karatestomp 6y agoCryptonomicon’s the only one of his four books I’ve read that I thought held up for the whole length. Anathem was interesting but spent too much time treading water, then fizzled out. The Diamond Age was one of my favorite first thirds of a sci-fi book that ended up being one of the most frustrating books I’ve finished. I’ve rarely been angry at a book but that one did it, so, that’s something I guess. I’ve read an actual book of Sumerian texts in translation so my Can Tolerate Boring cred is legit, but the mythology sections of Snow Crash—which are a lot of the book—were a real slog. Cryptonomicon? Consistent and fine throughout, and even has a real ending that might have been thought out from near the beginning.
- derekp7 6y agoMy biggest problem with Snow Crash was at the end of the book. The author has done this in other books too, where you have a very detailed story but then it feels like the end gets rushed. Kind of like another 200 pages of novel get squeezed down to 12 pages.
- sneak 6y agoThis is absolutely par for the course for Stephenson. He's written at least 4 books like this, as far as I can tell. Seveneves in particular is 700 pages of incredible, next-level worldbuilding, then the potential for 3 more 300+ page volumes compressed into 180 pages. It's like at the 700 page mark the "wrap it up" light comes on, and he hastily bookends it.
- DuskStar 6y agoStephenson is great at starting stories. Arguably he does this several times in each book. He can't write endings for shit, though. (Every book of his that I've read - Anathem, Seveneves, Reamde, Cryptonomicon/Snow Crash/The Diamond Age, and more - all fail to come to a satisfactory ending. But I keep reading, because the rest of the books are good...)
- jsolson 6y agoCryptonomicon and Anathem get endings of a sort... later :)
- ISL 6y agoIt is the very finest first chapter I've ever read. Any tv/film adaptation is playing with the highest possible difficulty score for its opening minutes. In fact, I'm not sure they could do better than acting out the entire first chapter with a voiceover to tie the transitions together.
- jelling 6y agoIirc the first chapter was a short story that he later expanded. I enjoyed the rest Of Snow Crash (way back when) but found everything else he writes to be incredibly boring.
- frosted-flakes 6y agoI have similar feelings about the book. "an astronomical amount of suspension of disbelief" is a good way of putting it. There's too much detail and too little explanation, and so I felt like I couldn't see the forest because the trees were in the way. Here's a HN comment I wrote shortly after reading it last year: > Snow Crash is so bizarre. It launches you straight into the story with no explanation, starting off with some crazy pizza delivery man in a rocket car with swords and an electric zapper thing for people who don't pay the bill. The whole book is like that--it never explains how, why, or when, leaving you to piece it all together yourself. The entire time I was reading it, I was waiting for a 30000 feet view of the world. But then it ended, never having fully explained itself. > I've never read anything else quite like it, and honestly don't know what I think of it. Are all of Neal Stephenson's books like that? https://news.ycombinator.com/item?id=19704665 https://news.ycombinator.com/item?id=19704665
- ian-g 6y agoIn case you haven't read anything else, and for other people here, yes his books are projects. I really liked Seveneves though. And The Rise and Fall of D.O.D.O. has been good so far!
- jsolson 6y agoInteresting. I've loved most of Stephenson's books and Cryptonomicon easily holds the title of most re-read book in my collection. Seveneves, on the other hand, I absolutely loathed in basically every regard. My loathing for it makes it memorable enough to be my most hated book (there are plenty of books out there that are 'worse', but are also unmemorable -- Seveneves is viscerally memorable)
- celticninja 6y agothe end of seveneves is what fucks it, it's a great book until the last third/quarter.
- arethuza 6y ago
- smcameron 6y ago> slogging through Leviticus, plus an astronomical amount of suspension of disbelief. Plus?
- SeanLuke 6y agotouche.
- dreamcompiler 6y agoThe audiobook version of Chapter 1 is simply sublime. I can listen to it repeatedly and always laugh out loud and marvel at its mastery of language, emotion, and satire. It's as if Mark Twain took a time machine to the future and called you after lunch to tell you about it.