I'm deeply concerned about the impact that this will have on the music documentary. Without a fat idiot pulling a fader at a mixing desk in a poorly lit room so

I'm deeply concerned about the impact that this will have on the music documentary. Without a fat idiot pulling a fader at a mixing desk in a poorly lit room so we can just hear the drum beat alone while describing an utterly standard 4/4 time, poorly played derivative drumming as "groundbreaking" I fear for the genre. We've already lost atmospheric cigarette smoke haze, what next?