3 ms·
I think there's a fascinating flip side to what PG calls the refragmentation: the decline of counterculture both materially and in terms of relevance. PG talks
by api 11y ago
I think there's a fascinating flip side to what PG calls the refragmentation: the decline of counterculture both materially and in terms of relevance.
PG talks about his yearning for something outside the mainstream bubble. For decades the major source for that was the various mostly youth oriented subcultures that made up what we called the counterculture. Hippies, punks, goths, 80s rockers, hip hop, ravers, geek fandom, and a dozen smaller variants provided something that... well... wasn't "red delicious."
Those things still exist but today they feel more like just another culture in the marketplace. They no longer seem to have such potency or power. Maybe I'm just old but I get the strong sense this is true for young people too. Today young people might visit these little subcultures as tourists, but when I grew up they were a much bigger deal. They became your identity. They were almost religious, like modern mystery cults.
Rave was probably the last great youth counterculture. I haven't noticed another one unless you count the "hipster" artisan living thing and that seems more like a lifestyle brand than a true counterculture of the postwar music+fashion+drugs+ideas mold.
In retrospect those subcultures were more like alternative conformity molds. They didn't really alter the underlying zeitgeist of conformity but just provided another channel on the cultural TV dial. Still I do mourn them a bit. Their greatest legacy was as artistic and musical crucibles and nothing has really replaced them. I don't think it's a coincidence that there has been no major musical innovation since the 90s. There has been good music but it all follows stylistic currents set down before 2000. Rave gave us techno and all its various sub-forms and... that's apparently the end of history music-wise.
Edit: would be curious to hear a counterpoint on the last item. Show me a musical style that is as much of a step change today as hip hop and electro in the 80s or drum and bass in the 90s or acid rock in the 60s.
- abvdasker 11y agoI tend to think the diminished role of counterculture in the US is the result of having a lot more choices available within the mainstream. The narrow conformity of the 1950s PG discusses has been supplanted by a much wider range of acceptable/marketable cultural styles. Generally people today are more tolerant, meaning there is more room for more diverse people and lifestyles under the tent of the mainstream.