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My experience, for what ever this is worth, was interesting when I was teaching kids. I taught violin and music theory for a University prep program when I was
by ianamartin 11y ago
My experience, for what ever this is worth, was interesting when I was teaching kids.
I taught violin and music theory for a University prep program when I was in the later years of my undergrad.
A few things stuck out at me when I was doing this, and keep in mind--I had no classes on education theory at all at the time. I was just a good, gifted performer who had done some serious study of music theory. Music Theory emerges from the Philosophy of the time, so teaching about that is also teaching about the history of Western thought and also the social climate of the different periods of time that you are covering with music. Along with that comes the baggage of the Catholic church. The history of "Classical Music" is much aligned with the history of the Church.
So there's a lot to cover.
I learned a ton from this experience, and it was good for me, and -- I hope -- good for my students.
Some things I learned from this in no particular order:
In a one-to-one setting with a young student, as in really young, like 4-5 years old, where you are trying to teach difficult things, get down on your knees. That young kid is looking at an unfamiliar giant who is now telling them to do things they don't understand. They are still looking at you and wondering what the fuck is happening. Get to eye level with that kid. The kid will be far more focused than if they are looking at what they think of as a giant stranger.
Time yourself. If you are going to work on some really demanding physical and mental things with kids like learning to hear and play an instrument, give the kid a break every 10 minutes or so. The formula I ended up with at this gig was to do 10 minutes of supervised practice on instrument mechanics and then 5 minutes or so of theory.
Across a range of "talent" levels, I was able to produce pretty amazing progress with this method because you can keep a 5-year-old's interest for a lot longer if you are changing things up every so often.
I could do an hour or two with a young kid, where other teachers were losing steam and traction with the students after a half hour.
I never beat any kids, or hit them in any way. I grew up in that environment, and I thought it was awful as a kid. As an adult I find it even more repulsive. It's not, in my opinion, necessary for high achievement. And in my personal experience, it was detrimental.
In a classroom situation, I feel like you are sort of stuck. You have to present things as best you can and hope that everyone gets it. But you can have some creative control sometimes. I remember teaching one theory class to a wide range of kids. All of my students got locked into one history class at the prep school. So I had kids who were 5-6 years old and kids who were close to my own age at the time (I was 19, and the oldest students were 17).
That's tough, and I don't have anything to offer someone stuck in that situation. But it is possible to come up with a curriculum that can work for this assuming that everyone in the class in equally ignorant. It's just hard to do.
Don't be a male teaching any underage female past puberty one-on-one. Just don't do it. I never got into trouble, but I know many totally innocent people who have. I'm sure it works the other way. But there's a lot of emotion going on in pubescent kids, and they are likely to have confused romantic feelings about figures of authority who are not abusive. Just don't get close to that situation.
The last thing I want to say from my experience is that kids like to be treated with respect. That's part of the getting down on your knees thing. Another part of respect is to just assume that they will behave well and create an environment in which it makes sense for them to behave well. Talk to them like adults. Give them the freedom to fail and make mistakes.
They usually will not fail. They will usually step up to the challenge and do some amazing things.
- eyan 11y agoSir, I wish all teachers (and parents) learn from this. Well said.
- ianamartin 11y agoThank you. I would like to point out that my observations as a music teacher are not limited to that one experience of teaching the children of upper middle class white Texans. I've been involved with the El Systeme projects in South America and co-founded a Systeme project in the Philippines a few years ago with my brother. These projects target the poorest of the poor in these countries--the same people that drug cartels and criminal gangs recruit from. We offer an alternative to that life. And we take it not to people who can afford things like music lessons for their kids, but rather to families who have no other options. We set up a safe building where kids can go for their music lessons, and we treat them with respect. We learn their language. We expect them to practice and get better, but we are not mean to them if they don't. It's service to the world that gave me and my brother the talent and opportunities that we have. Those things I mentioned in my post are things that cut across cultural and class boundaries. Those are things that bring children--who have every opportunity to go join a gang or deal drugs or go do whatever--back to the music program time and again. It's completely anecdotal information, and I'm aware of that. But it's working in a small number of cases. Next year, we'll have a first generation of these students getting visas to come to the U.S. to study music at one of our universities. Some of them won't just study music. Some of them are intrigued by computers, and I've been teaching some comp sci at these programs as just an aside thing. The U.S. is going to have a few more highly motivated, extremely talented, hard working, legal immigrants next year. I guess, if I can stop rambling for a moment, what I mean to say is this: A lot of education isn't really about what you study or where you learn. It's about training your brain to think about things in a certain way. I think that's what Wittgenstein was getting at, in his own way. I didn't get to be a software developer the normal way. But I learned to solve problems through the lens of being a musician, which is all about solving real problems. I don't know what these kids will do with their lives. These ones that I've only ever taught music to. But I know that some of the ones I taught when I was 19 have already grown up to be really competent physicists, computer scientists, and psychologists, and athletes. Maybe they would have done that anyway. It's true. We don't know. But we know that the poor kids from the countries I'm working in right now in my spare time will not have had that opportunity. So we'll see.