3 ms·
This is actually only half the problem. Classical music is one of the genres where the profit-sharing model doesn't work very well. Spotify pay out every time
by Expez 11y ago
This is actually only half the problem. Classical music is one of the genres where the profit-sharing model doesn't work very well. Spotify pay out every time a track is listened to (IIRC, this is triggered when you're 30s into the track). This works well for pop music, where the songs are short and they are listened to many times by the typical user. It works less well when the "songs" are 45 minutes long and typically only listened to once (famous works are recorded by multiple orchestras and listeners are likely to check out several and perhaps only ever return to their favorite interpretation).
This means that for many it's still more profitable to sell a small amount of CDs than to be on spotify.
I suspect this will change over the years because there's now a very large overlap between those that still listen to CDs, don't use spotify, and listen to classical music.
- pionar 11y ago> It works less well when the "songs" are 45 minutes long The pieces on streaming services (just like CDs) are not 45 minutes long, though. They're separated into movements that are typically between 4 and 10 minutes long. So, while you could listen to all of the Rite of Spring if you want for its entire 40 minute runtime (and I do a lot, as it's my favorite orchestral work), you usually don't. You might listen to only the Introduction to The Sacrifice, which is only about 4-5 minutes.
- abruzzi 11y agoIn fairness, while the 45 minute mark is rarely hit in a single movement, 15-20 minutes is the length of the opening movement of most symphonies from Beethoven and later. And many other single movements out there.