Right, and the fact that she had the leverage to be able to do that in the first place makes her unlike the vast majority of artists on these services. So for h

Right, and the fact that she had the leverage to be able to do that in the first place makes her unlike the vast majority of artists on these services. So for her to play the "I'm not doing this for me, I'm doing this for all the undiscovered artists" card is a bit disingenuous. That's not how the industry works for the majority of artists -- their payouts from Spotify/Apple Music/etc. are so low they aren't focused on that as a revenue stream. The only artists who really care about these streaming payments are already at the top of the food chain -- the vast majority of artists are just looking to get discovered. One could argue that the presence of big artists on these streaming services makes the platforms more valuable for artists at the bottom by drawing more users to them, but it definitely has created a situation where top artists' albums have value as a product themselves, while albums of lesser-known bands are essentially given away for free to try to build an audience.