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sick in what way? I think the primary characteristic of Card's writings is that he likes to explore the nasty, and a lot of the time he's apologizing for it.
by Dove 17y ago
sick in what way?
I think the primary characteristic of Card's writings is that he likes to explore the nasty, and a lot of the time he's apologizing for it. Ender's Game is about murder writ small and large, and the provocative question it asks is whether you can blame Ender for what he did. Hart's Hope does that with adultury; Pastwatch with slavery and cultural imperialism. Even when he's not that provocative, the world just tends to be nasty and not always in a very redeeming way. Kingsmeat and Unaccompanied Sonata may be the worst offenders.
Asimov's stories are about reason triumphing over puzzles, and Heinlein's are about facing tough decisions with a bold face. But Card's are about characters who wrestle with the guilt and psychological problems they inherit from living through twisted circumstances in a twisted world and can you really blame them for what they did?
As a teenager, I thought that was interesting. I thought it was deep and morally provocative and philosophically enlightening, I thought the characters were even admirable. As an adult, I mostly find it tragic and morally hasty. I'd rather read about heroes and courage and reason and responsibility than guilt and pain and evasion.
- ephermata 17y agoI actually thought "Eumenides in the Fourth Floor Lavatory" was "worse" than Unaccompanied Sonata. Still I wish he'd write more short stories like that...they're more engaging than the novels I've seen recently from him.
- Dove 17y agoFair. It depends on what bothers you, I suppose. Now that I think about it, "A Thousand Deaths" was also pretty disturbing. I suppose I shouldn't be so judgmental in my description. Whether you like or dislike those types of stories, they are good illustrations of why some people find Card's writing disturbing. Then again, some people like to be disturbed. I might go so far as to say that is the point of his stories in the first place.