>The second option is to re-record sound recordings in order to create new sound recording copyrights, which would reset the countdown clock at 35 years for cop

>The second option is to re-record sound recordings in order to create new sound recording copyrights, which would reset the countdown clock at 35 years for copyright grant termination. Eveline characterized the labels’ conversations with creators going something like, "Okay, you have the old mono masters if you want - but these digital remasters are ours." That sounds like nonsense to me. Remasters are only redone mixes of old recordings, so if anything, the original artists own at least part if that copyright. Thus: this should be a joined copyright, with a right to veto: if the original artist doesn't want the new remasters to be re-released, he ought to be able to block it.