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The reason my interest is in "what they find interesting" is because so much of poetry is surprise. We rarely praise a poem that uses the words we expect right
by abathur 12y ago
The reason my interest is in "what they find interesting" is because so much of poetry is surprise. We rarely praise a poem that uses the words we expect right where we expect them, and ended up right where we thought it would. (aside: check your twitter mentions, please?)
It seems at least plausible to me that non-human agents could be Good For Poetry as long as we can clear a very specific hurdle. The hurdle is the fact that most people see art as something an artist--a human full of agency and intentionality--makes to communicate or share beauty. Obliquely, I think this definitional hurdle is a big part of why many struggle to find value in art produced from modernism on. I offered up this alternative definition of art (in the context of whether software can be art) in another thread a few weeks ago:
Art is something--a sort of significance--we experience, and not really something we make. When we say we're "making art", we're making an object or giving a performance that we hope will induce others to have the experience of art. In reality, "making art" is an interpretative process; art, like love, is an experience--not an object.
The point is that software most certainly induces people to have the art-experience, both intentionally and unintentionally. It's probably less common for source code to induce the art-experience (intentionally or not), but I suspect this too happens.
- thundercomb 12y agoi like your definition of art as an experience; and the creation of art, then, as the communication of experience. there are many different types of experience, which accounts for the diversity of art.