The early 80's were a truly special time for action cinema, and sequels in particular. There were several sequels that stand out for both putting a completely

The early 80's were a truly special time for action cinema, and sequels in particular. There were several sequels that stand out for both putting a completely different spin on the movies that preceded them while offering relentless and tight pacing. Aliens is just one example. Consider also, "The Road Warrior" (a.k.a. Mad Max 2). It took the faded and failing civilization of the original and pushed that out to every extreme possible. Total collapse. Anarchy. Barbarism. Post-apocalyptic wasteland. It also featured some of the tightest editing, most impressive stunts, and most relentless action of any film ever made. However, it was far from alone. "The Empire Strikes Back" took the light, fun, and somewhat corny adventure of "Star Wars" and turned that into a dark, brooding character driven film that was a non-stop roller coaster of tension. Empire is the film that makes people take Star Wars seriously no matter how much zany Ewok slapstick and standup-droid-comedy Lucas put into ROTJ and the prequels (I refuse to even type the full J-J word). The 2001-derivative "Star Trek: The Motion Picture" was followed by the "The Wrath of Khan", which itself focused on character development and featured a climactic battle between both leaders and star ships. This film, despite being made on a shoestring budget when compared to the first Trek film, defined Trek movies for all time. Arguably, the franchise has suffered as Trek film after Trek film tried to recapture the magic of "The Wrath of Khan" instead of blazing their own paths. When you watch these films and compare them to today's action flicks, one thing that stands out is that the action is anything but non-stop. All of these films feature extended sequences of slow, careful character development that are punctuated by action scenes. Compare the most recent Superman film to Aliens for example. Aliens may have felt relentless and draining in its last hour, but the first hour is relatively slow. That slow, building action sets everything up. It made us care so much about the characters and appreciate how utterly alone and vulnerable they were that it was tough watching them go through the meat grinder of the second half. "Man of Steel" on the other hand, begins with action, continues with action, and ends with action, taking only brief breaks to string along a flimsy plot and barely flesh out stereotypical characters. Halfway through the city-wrecking final action sequence one finds oneself wishing the film would just get to the point! Both the magnitude of destruction and sheer volume of film expended in "Man of Steel" dwarfs that of Aliens, but there is only a fraction of the tension. You could take your time going to the bathroom at any point in "Man of Steel" and, odds are, all you'd miss is some CG mayhem that has no lasting effect on the plot. Does it really matter how many buildings Superman and his foes level without resolving anything? Today's film makers are too often afraid of boring their audience and too frequently sacrifice developing what makes the action matter for the sake of giving their audience non-stop action. Non-stop meaningless action is like eating nothing but ice-cream for dinner. Sure, ice cream is great, but it simply isn't satisfying on its own. Today's film makers should look to the early 80's as an example of what can be accomplished when you don't underestimate your audience's attention span.