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Krita is great for what it is, but saying 'Goodbye Photoshop, hello Krita' is akin to saying 'Goodbye tractor, hello vespa'. If all you're doing is trying to ge
by jjcm 12y ago
Krita is great for what it is, but saying 'Goodbye Photoshop, hello Krita' is akin to saying 'Goodbye tractor, hello vespa'. If all you're doing is trying to get from A to B, a vespa certainly may be a better option, but don't think that a vespa can do what a tractor can do.
Even GIMP is far behind what Photoshop can provide. Want a really good look at what the differences are between the two? Look at GIMP's development roadmap: http://wiki.gimp.org/index.php/Roadmap http://wiki.gimp.org/index.php/Roadmap
It's usually a pretty quick view of the delta between the two programs. Krita is missing most if not all of these too. Some of the big features Krita and Gimp are missing:
1.) Non-destructive editing capabilities. Krita and GIMP have masks, which is a start, but neither support smart objects (dynamically sized/edited objects that don't destroy/replace pixel data on resize) or adjustment layers. This is huge. Unless you're a painter, no one in the industry uses destructive editing techniques.
2.) High bit depth. This is another big one. Since most of the crowd on HN are more familiar with code than design, I'll put it in code terms: pretend that you had to do precision work, but a Math.floor() function was called every time you did any arithmetic. When you're doing light adjustments/corrections, blending, color correction, and such, the work can introduce heavy banding when you're working in 8bits per channel. By switching to 16bits per channel you provide way more fidelity on the individual pixel level, eliminating a lot of banding in your final product. Even if you have a monitor that can only display 8bit color, working in 16 can change your end result drastically.
There are some minor features too that bug me. The inability to add a mask to layer groups is a big one for me. Layer effects (while often overused and gaudy) can be really helpful for design work - need to change the color of an icon that's raster art? Just drop a color overlay on it. If you have style swatches, it can be really easy to do fast mockups using this. This in conjunction with Layer Comps (also something missing in Gimp right now) can really help in switching between two or more alts.
These programs are a long way off from being Photoshop. Whenever I see a story like this where Photoshop is replaced by GIMP/Krita, what I see isn't that these things have the capability to replace Photoshop, but rather that the people who replaced it were only using a tiny subset of Photoshop's capabilities, and found something more suited to their usecase.
- boudewijnrempt 12y agoWell, I guess you haven't checked out Krita since 2003. Krita got adjustment layers (which are basically masks with a filter that applies right there in the layer stack) in 2004 (2005, it's a long time, and I can't be arsed to check on the exact date). 16 bit integer, 16 bit float and 32 bit float followed in the same year. OpenEXR has been supported for about a decade. OpenColorIO was added two years ago, so there's the LUT functionality needed for movie and vfx people. And have you actually tried Krita? I mean, group layers were a 2004 or 2005 addition as well, and you can add transparency masks, local selection masks, filter masks or transformation masks to groups just like you can add them to vector, pixel, clone, filter, fill (color, pattern, other generators) or file (external file added in your layer stack) layers. Smart objects? There are vector layers, where you can add any svg image or editable vector object. Layer effects? Well, that's something we're working on. It isn't too difficult, but a lot of work just typing in all that code. Previously, we assumed that people could make do with filter masks and layers, but well, this is one thing where we'll do a clone job, I guess. Color overlays? Gosh, take a fill layer with a color and the right blending mode. Or do something else -- a HSV colorize filter mask, for instance.