4 ms·
Welcome to the world of Barbershop music (one of my primary hobbies) ;) Unlike a piano, which must be tuned and which has a temperament that is fixed from chor
by depoll 12y ago
Welcome to the world of Barbershop music (one of my primary hobbies) ;) Unlike a piano, which must be tuned and which has a temperament that is fixed from chord to chord in a piece, the human voice can make minute adjustments to come as close as possible to those nice integer ratios (both in the fundamental and in the upper partials produced by their voices). When we do, we are rewarded with (sometimes screaming loud) overtones caused by the constructive interference between the sounds being produced by each of the four parts.
As this article points out, it's mathematically impossible to perfectly tune some of these intervals, but depending on the relationships between the notes being sung, you can tune to one singer or the other. It takes a lot of practice and a good ear, but the resulting effect is pretty darned cool.
- dandelany 12y agoI went looking for examples of what you were talking about and discovered that, amazingly enough, a single human voice can even reliably produce overtones! I'm guessing these are very different, though, than what you're talking about https://www.youtube.com/watch?v=2i61_JNc_Nc&t=1m25s https://www.youtube.com/watch?v=2i61_JNc_Nc&t=1m25s I'd love to hear some examples of a barbershop n-tet doing it too, I'm sure it's even better. But when I search for 'barbershop overtones' it's all music by groups called The Overtones :)
- baddox 12y agoIncidentally, cheesy musical puns are the norm for barbershop and other a capella groups. Aural Fixation, Decibelles, Chiefs of Staff, Vocal Majority, Clef Hangers, and so on.
- baddox 12y agoOvertone singing itself isn't very common in barbershop music, but their harmonies certainly make use of overtones. Here's a performance of a song called Play That Barbershop Chord (a stable in the genre). It's not instructive, but it's got some great harmonies: https://www.youtube.com/watch?v=F5bYnRkwpco https://www.youtube.com/watch?v=F5bYnRkwpco Here's a fairly technical article about three different seventh chords, one (the harmonic seventh) being the so-called barbershop seventh chord. There are embedded YouTube videos with computer-generated audio samples. http://www.garygarrett.me/?p=1575 http://www.garygarrett.me/?p=1575
- nemetroid 12y agoThere are some multi-track barbershop videos on Youtube which are good examples of over-the-top overtones. The fact that it's the same person (with the same timbre, "overtone profile") doing all the voices seems to amplify the effect. Here's one: http://www.youtube.com/watch?v=QpU_X6VKqvA http://www.youtube.com/watch?v=QpU_X6VKqvA
- depoll 12y agoHere's a great video of the Ambassadors of Harmony (an incredibly good barbershop chorus from St. Louis, MO) doing some exercises to tune overtones, and they're really loud: https://www.youtube.com/watch?v=sCdQVqQXkzc https://www.youtube.com/watch?v=sCdQVqQXkzc Listen for when the director sings the overtone note alone, then listen to the chorus as they produce it.
- depoll 12y agoIf you're curious about overtone singing, listen to this -- it's insane: https://www.youtube.com/watch?v=vC9Qh709gas https://www.youtube.com/watch?v=vC9Qh709gas The principle is actually the same -- she is modifying her singing apparatus to emphasize different upper partials that are already in her voice. Barbershoppers do this as well, though less explicitly (we do vowel matching, which helps emphasize upper partials to produce greater ring). Here's a video from a perennial favorite quartet (the Gas House Gang): https://www.youtube.com/watch?v=pvYT_yWiLqU https://www.youtube.com/watch?v=pvYT_yWiLqU The top/tenor note is often the same note as the primary overtone produced by the other 3 parts (adding further emphasis to the overtone), but this effect is what gives barbershop the quality of sounding like more than 4 voices, and produces the "ring" in the sound.
- depoll 12y agoJust had to add (since I'm a giant Barbershop Geek in addition to all of the other ways I'm a geek ;))... Lest anyone think that barbershop is just for old folks: https://www.youtube.com/watch?v=XWmFfFx24zs https://www.youtube.com/watch?v=XWmFfFx24zs (Vocal Spectrum, 2004 international collegiate quartet champions and 2006 international quartet champions) Or just for Americans: https://www.youtube.com/watch?v=rFWhnOP_UVk https://www.youtube.com/watch?v=rFWhnOP_UVk (Ringmasters, 2012 international quartet champions, from Sweden) https://www.youtube.com/watch?v=T6HM-oLG_cI https://www.youtube.com/watch?v=T6HM-oLG_cI (Musical Island Boys, 2014 international quartet champions, from New Zealand) Or always serious: https://www.youtube.com/watch?v=ihdtI0E_mmQ https://www.youtube.com/watch?v=ihdtI0E_mmQ (Storm Front, 2010 International Quartet Champions and comedy quartet) Or just for men: https://www.youtube.com/watch?v=tWqtFxW4kiE https://www.youtube.com/watch?v=tWqtFxW4kiE (LoveNotes, 2014 Sweet Adelines International Quartet Champions) Or just for adults: https://www.youtube.com/watch?v=sREQu_AaUso https://www.youtube.com/watch?v=sREQu_AaUso (The Osmond Brothers... yup ;))
- hrvbr 12y agoIt's a traditional way of singing in Mongolia I think.
- hobs 12y ago
- haberman 12y agoExtremely interesting overtone singing: https://www.youtube.com/watch?v=UHTF1-IhuC0 https://www.youtube.com/watch?v=UHTF1-IhuC0
- lectrick 12y agoI just went "WTF" out loud. WOW! I had no idea music (or at least vocals) had this much depth. Thanks!
- rspeer 12y agoIs there a solid example of loud overtones being generated by the "barbershop seventh" that you can point to, such as in a recording? I don't mean to be skeptical in a negative way. It would be great if music has a built-in payoff for singing with just intonation. I've recently heard some doubt, however, about whether this overtone effect is actually perceptible to listeners, in a way that would pass double-blind tests and stuff. It's not that the alternative is that barbershop singers are delusional or something: the alternative is that barbershop singers -- and some listeners -- have well-trained ears for just intonation, and the perception of the chord they're singing changes inside their brain when the intervals line up. I don't doubt the power of overtones lining up. This effect is where the entire musical scale comes from, after all. But does the barbershop effect actually physically come from constructive interference (this would limit it to a small number of chords made of undertones, incidentally), or is it just a noticeable auditory illusion that occurs in trained ears?
- depoll 12y agoIt doesn't strictly come only from 7ths. Here you can see a chorus practicing producing these overtones, and it's both highly audible and demonstrably there: https://www.youtube.com/watch?v=sCdQVqQXkzc https://www.youtube.com/watch?v=sCdQVqQXkzc A sonogram like the one in this app will confirm that the effect is physical and not just an illusion: https://play.google.com/store/apps/details?id=com.ntrack.tuner https://play.google.com/store/apps/details?id=com.ntrack.tun...
- rspeer 12y agoI still want to know more. What should I be listening for in the video? There's the moment at 0:45 when everyone stops and says "wow", but that could come from either explanation. Should I be expecting to hear a pitch that's higher than all the notes in the chord, lower than all the notes in the chord, or a different phenomenon that's not a distinct pitch? This effect is sometimes claimed to happen with a 4:5:6:7 dominant 7th chord. In that case, would I hear it at the 28th harmonic? The 30th? The 420th (which is the lowest overtone that all the notes have in common)? The 1st (the undertone they have in common)? Or is 4:5:6:7 actually a bad example? (I really doubt it's the 420th, of course. That would be a very high pitch around 17 KHz, which would be difficult to hear, and wouldn't be preserved at YouTube quality anyway.)