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Game of Thrones has tons of examples. The characters act according to the situation they are in, how they were raised, not generally because they are archetype
by LanceH 12y ago
Game of Thrones has tons of examples. The characters act according to the situation they are in, how they were raised, not generally because they are archetypes.
Is this character conspicuous because things worked out for him?
Or did things work out for this character because he is conspicuous in some way?
Game of Thrones has a lot of the first, virtually no teen book does. They are imbued with something special and everything works out because of their specialness. Sometimes multiple other characters join the cause sacrificing or putting on hold their lives because this person is a prince(ss).
With all this dystopian teen drama going around, I wonder how many SF authors are out there kicking themselves for not writing a romantic triangle into their story.
- CocaKoala 12y agoI haven't read Game of Thrones, so this doesn't clarify things for me that much. It's hard for me to think of books I've read where the main character is not notable in some way, but it's also hard for me to think of books I've read where things simply resolve themselves for the main character as a result of that notability, as opposed to effort on the part of the character. So I guess the answer is "Yes, lots of people are writing those books"?
- DanBC 12y ago> It's hard for me to think of books I've read where the main character is not notable in some way It's a standard plot: ordinary person living an ordinary life feels constrained by that life; boom thing happens, causing ordinary person to go on a journey. Character development happens on the journey. I'm kind of surprised that you can't think of any book like this.
- CocaKoala 12y agoPlease list some. I can easily think of books which follow the plot you outlined; I have a much harder time thinking of books which follow the plot you outlined where the main character remains normal through the duration (as opposed to finding some innate quality within themselves which helps them triumph over hardship). edit: I mean, Harry Potter fits the bill you outlined, but is explicitly called out by the parent post as a half wizard.
- bstpierre 12y agoIn "The Hobbit", Bilbo Baggins is a boring little non-noteworthy hobbit who rises to his circumstances. The same thing applies to Frodo in LOTR. I read James Patterson's "The Beach House" on a pair of short plane flights this past summer. It's a commercial/pulp thriller. The MC doesn't acquire any superpowers during the story except for becoming a badass willing to take significant risks when his life and that of his friends is on the line. Edit to add: Jack Ryan, especially in the early Tom Clancy novels. In any story worth reading the main character won't stay "normal" for the duration. The protagonist's change through the course of the story is part of the point of telling a story.