4 ms·

Except that the monkey has no concept of creative licensing, payments, royalties, etc. In this case the monkey is really just a remote shutter release made out

by brk 12y ago

Except that the monkey has no concept of creative licensing, payments, royalties, etc. In this case the monkey is really just a remote shutter release made out of meat. I could see the argument if the monkey were a 9 year-old child, the child might not fully grasp these concepts today, but you could anticipate a point where the child would understand. Much like child actor laws protecting their earnings. I could see the wikipedia logic if there was some expectation that copyright would eventually matter to the monkey. Forget that the monkey is an organic being... If the camera were shot up in the air in a rocket and had a pressure switch to take a series of photos at 5,000 feet (or maybe more directly at some random altitude or point in travel), who would "own" the photos? The rocket? Or the person who put the events together to capture those images in that manner.

Luc 12y ago
> just a remote shutter release made out of meat. > Forget that the monkey is an organic being... That's not a very endearing way to make your point. If enough people care about the rights of non-human sentient beings, we can envisage (more, better) laws being made protecting their rights. Think of the good the licensing money from this picture could do in e.g. conserving the habitat of that monkey. For example: http://en.wikipedia.org/wiki/Great_ape_personhood http://en.wikipedia.org/wiki/Great_ape_personhood
- brk 12y ago
  I appreciate your comment. I made those statements particularly to try and evoke a different perspective, they do not reflect how I view/value the monkey in the grand scheme of things. I think what can happen in arguments like this is that people let personal feelings/compassion cloud their judgement. Where does that slippery scale end? What if it was a dolphin that took the picture? A dog? A reptile? A single-cell organism? Yes, some of those examples are absurd, but they are all non-human organic life forms. Are we saying the more "personable" animals should be extended some human-like copyright rights because we can relate to them in some manner? (the Pulp Fiction conversation about "filthy animals" pops in my head here). You talk about licensing money, but who would set the licensing fee, collect that fee, and then apply it? I could easily see that becoming a method for lawyers to strip human photographers of copyrights in certain cases and then suck up the majority of the licensing fee for "administrative purposes". I think the monkey is "cute". I think this is a very interesting case. I do not think legal precedent is on the side of wikipedia. I do not think this is by any means a common enough problem (or will become so) that we need to have exception cases for photographs where the shutter release was pressed by non-human living organisms.
  - bdamm 12y ago
    The "slippery slope" begins and ends with the mirror test [0]. [0] http://en.wikipedia.org/wiki/Mirror_test http://en.wikipedia.org/wiki/Mirror_test
  - Luc 12y ago
    > What if it was a dolphin that took the picture? A dog? A reptile? A single-cell organism? The 'slippery slope' argument almost never works. Women got the vote and society didn't crumble, au contraire. Dolpins can get some rights now reserved only for humans (e.g. better habitats in which their babies don't die abnormally often), without that same right being extended to reptiles. > Are we saying the more "personable" animals should be extended some human-like copyright rights because we can relate to them in some manner? It's a choice. A general principle of awarding these higher-sentience animals some limited form of personhood could improve their circumstances. Perfect is the enemy of the good. > I do not think this is by any means a common enough problem [...] I agree completely.
jonnathanson 12y ago
"Except that the monkey has no concept of creative licensing, payments, royalties, etc." That doesn't matter. Plenty of grown adults have no concept of creative licensing, payments, royalties, etc., and might never be in a position to understand them. Similarly, the 9 year old child is the creator and owner of his work at the time of its creation, regardless of the expectation that he'll eventually learn what the legalities of that creation mean. A mentally disabled or permanently incapacitated individual who is incapable of understanding copyright, and presumably never will be capable, is still entitled to copyright protections. What this really boils down to is the monkey's personhood. A person can legally create and own intellectual property, regardless of his cognizance of it. If we believe a macaque is in some ways a person -- not a human, but a person -- then this argument holds some merit. If we do not, then it becomes more tenuous. The question isn't whether the monkey understands the ramifications of her photo; it's whether the monkey had creative agency in taking the photo.
- wlesieutre 12y ago
  Is it only a question of whether the monkey had creative agency in taking the photo? I'm not a lawyer, but it seems possible to say that neither the human nor monkey did. If there were no monkey involved and the picture were taken on my camera by pure chance, can I still claim copyright on it as a photographer? Say I set the camera down, walk away, and a bug in the firmware causes it to start shooting pictures. Or maybe a rock falls from a nearby cliff and just happens to bounce off the shutter button. Is there a precedent for copyright in those instances?
  - huherto 12y ago
    I think the human was hoping for a good shot when he let the Monkey play with it.
- brk 12y ago
  We are talking about aspects of a human-created and arbitrated legal system. All these rules and such are essentially designed to revolve around how we treat and compensate each other. Monkeys have no concept or participation in this legal system in the same way you wouldn't find two dogs arguing about how to handle a human sniffing their asses and who is the "dominant" one in that case. We as a society have decided to give certain protections and recognitions to humans who are too young and/or too mentally disabled to participate in this system at the "full" level. Presumably we have decided this because we choose to recognize all humans as equal and applicable to receive a certain level of inalienable rights. Most of our laws that relate to non-humans (animals) treat them as a form of property or otherwise seem to indicate we have no explicit desire to grant them the same rights and protections as actual humans. This could change with legal precedent, but the general consensus (IMO) is not on the side of wikipedias arbitrary ruling.
CWuestefeld 12y ago
These photographs have good technical merit, albeit by accident. The thing is, there's a LOT more to making a "good" photograph than just clicking the shutter release. There are exposure and focus (which were apparently in auto mode at the time these were taken). But more importantly, there is composition, which was entirely up to the monkey here, and not at all attributable to the human. However, we haven't seen (afaik) the original image; it seems likely that the image was recomposed (i.e., cropped) in post-production, and probably had other adjustments, e.g., exposure, contrast, etc. I'd say that in the end, the human had a pretty significant part in the final product. I'm an amateur photographer, which you can take to mean that a whole lot of the time, my pictures don't come out of the camera looking quite the way I intended them to. And that's just another way of saying that what did come out of the camera was just an accident. Many of my best prints were like this, and I "rescued" them in post production, fiddling around to make something nice from something that in its found form was unremarkable. In these cases, I'd like to think that I'm still the artist responsible for it. I think my conclusion, then, is that the human probably is deserving of the credit for this work.
georgemcbay 12y ago
"In this case the monkey is really just a remote shutter release made out of meat." So basically a photographer, then.
ASneakyFox 12y ago
So why should the ownership go to the camera owner? Who owns the land? The monkey? Lots of people could claim ownership for "helping".

by brk 12y ago

Luc 12y ago

> just a remote shutter release made out of meat. > Forget that the monkey is an organic being... That's not a very endearing way to make your point. If enough people care about the rights of non-human sentient beings, we can envisage (more, better) laws being made protecting their rights. Think of the good the licensing money from this picture could do in e.g. conserving the habitat of that monkey. For example: http://en.wikipedia.org/wiki/Great_ape_personhood http://en.wikipedia.org/wiki/Great_ape_personhood

brk 12y ago
I appreciate your comment. I made those statements particularly to try and evoke a different perspective, they do not reflect how I view/value the monkey in the grand scheme of things. I think what can happen in arguments like this is that people let personal feelings/compassion cloud their judgement. Where does that slippery scale end? What if it was a dolphin that took the picture? A dog? A reptile? A single-cell organism? Yes, some of those examples are absurd, but they are all non-human organic life forms. Are we saying the more "personable" animals should be extended some human-like copyright rights because we can relate to them in some manner? (the Pulp Fiction conversation about "filthy animals" pops in my head here). You talk about licensing money, but who would set the licensing fee, collect that fee, and then apply it? I could easily see that becoming a method for lawyers to strip human photographers of copyrights in certain cases and then suck up the majority of the licensing fee for "administrative purposes". I think the monkey is "cute". I think this is a very interesting case. I do not think legal precedent is on the side of wikipedia. I do not think this is by any means a common enough problem (or will become so) that we need to have exception cases for photographs where the shutter release was pressed by non-human living organisms.
- bdamm 12y ago
  The "slippery slope" begins and ends with the mirror test [0]. [0] http://en.wikipedia.org/wiki/Mirror_test http://en.wikipedia.org/wiki/Mirror_test
- Luc 12y ago
  > What if it was a dolphin that took the picture? A dog? A reptile? A single-cell organism? The 'slippery slope' argument almost never works. Women got the vote and society didn't crumble, au contraire. Dolpins can get some rights now reserved only for humans (e.g. better habitats in which their babies don't die abnormally often), without that same right being extended to reptiles. > Are we saying the more "personable" animals should be extended some human-like copyright rights because we can relate to them in some manner? It's a choice. A general principle of awarding these higher-sentience animals some limited form of personhood could improve their circumstances. Perfect is the enemy of the good. > I do not think this is by any means a common enough problem [...] I agree completely.

jonnathanson 12y ago

"Except that the monkey has no concept of creative licensing, payments, royalties, etc." That doesn't matter. Plenty of grown adults have no concept of creative licensing, payments, royalties, etc., and might never be in a position to understand them. Similarly, the 9 year old child is the creator and owner of his work at the time of its creation, regardless of the expectation that he'll eventually learn what the legalities of that creation mean. A mentally disabled or permanently incapacitated individual who is incapable of understanding copyright, and presumably never will be capable, is still entitled to copyright protections. What this really boils down to is the monkey's personhood. A person can legally create and own intellectual property, regardless of his cognizance of it. If we believe a macaque is in some ways a person -- not a human, but a person -- then this argument holds some merit. If we do not, then it becomes more tenuous. The question isn't whether the monkey understands the ramifications of her photo; it's whether the monkey had creative agency in taking the photo.

wlesieutre 12y ago
Is it only a question of whether the monkey had creative agency in taking the photo? I'm not a lawyer, but it seems possible to say that neither the human nor monkey did. If there were no monkey involved and the picture were taken on my camera by pure chance, can I still claim copyright on it as a photographer? Say I set the camera down, walk away, and a bug in the firmware causes it to start shooting pictures. Or maybe a rock falls from a nearby cliff and just happens to bounce off the shutter button. Is there a precedent for copyright in those instances?
- huherto 12y ago
  I think the human was hoping for a good shot when he let the Monkey play with it.
brk 12y ago
We are talking about aspects of a human-created and arbitrated legal system. All these rules and such are essentially designed to revolve around how we treat and compensate each other. Monkeys have no concept or participation in this legal system in the same way you wouldn't find two dogs arguing about how to handle a human sniffing their asses and who is the "dominant" one in that case. We as a society have decided to give certain protections and recognitions to humans who are too young and/or too mentally disabled to participate in this system at the "full" level. Presumably we have decided this because we choose to recognize all humans as equal and applicable to receive a certain level of inalienable rights. Most of our laws that relate to non-humans (animals) treat them as a form of property or otherwise seem to indicate we have no explicit desire to grant them the same rights and protections as actual humans. This could change with legal precedent, but the general consensus (IMO) is not on the side of wikipedias arbitrary ruling.

CWuestefeld 12y ago

These photographs have good technical merit, albeit by accident. The thing is, there's a LOT more to making a "good" photograph than just clicking the shutter release. There are exposure and focus (which were apparently in auto mode at the time these were taken). But more importantly, there is composition, which was entirely up to the monkey here, and not at all attributable to the human. However, we haven't seen (afaik) the original image; it seems likely that the image was recomposed (i.e., cropped) in post-production, and probably had other adjustments, e.g., exposure, contrast, etc. I'd say that in the end, the human had a pretty significant part in the final product. I'm an amateur photographer, which you can take to mean that a whole lot of the time, my pictures don't come out of the camera looking quite the way I intended them to. And that's just another way of saying that what did come out of the camera was just an accident. Many of my best prints were like this, and I "rescued" them in post production, fiddling around to make something nice from something that in its found form was unremarkable. In these cases, I'd like to think that I'm still the artist responsible for it. I think my conclusion, then, is that the human probably is deserving of the credit for this work.

georgemcbay 12y ago

"In this case the monkey is really just a remote shutter release made out of meat." So basically a photographer, then.

ASneakyFox 12y ago

So why should the ownership go to the camera owner? Who owns the land? The monkey? Lots of people could claim ownership for "helping".