Without commenting too much on the narrative aspects of this (because to be honest it sort of feels a bit exploitative and icky), I think these typefaces could

Without commenting too much on the narrative aspects of this (because to be honest it sort of feels a bit exploitative and icky), I think these typefaces could be improved quite a bit with the use of some more-powerful OpenType features, and particularly random contextual alternates, which let you supply multiple variants of a given glyph of which one is selected at random each time. It makes handwriting typefaces feel a lot more organic and natural, since as it is, anytime you have double letters the illusion is broken as it's plainly obvious that it's the exact same letter form on the page twice (see, for example, the double L in Guillermo's name). For an example, see http://www.graphics.com/news-old/p22-releases-c%C3%A9zanne-pro-font-opentype-format http://www.graphics.com/news-old/p22-releases-c%C3%A9zanne-p...