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Pianos don't have souls, either. Maybe I'd understand your complaint if it was about computer composition of music, but this is just using the computer as an i
by Strilanc 13y ago
Pianos don't have souls, either.
Maybe I'd understand your complaint if it was about computer composition of music, but this is just using the computer as an instrument. Would you say flute players can't play music "with soul" because they aren't directly whistling the noises? Why not? How is that qualitatively different from using a computer to play your composition?
- holri 13y agoHandmade Pianos have souls. The soul of the technician that built it. This is why the best Pianos like Bösendorfer and Steinways are still built manually.
- PavlovsCat 13y agoThat sounds kind of esoteric / superstitious to me. Has this been blind tested? Anyway... computer music has the soul of the people selecting the samples and the parameters for instrument synthesis, and choosing when and how to play them. That's why all that is done manually. Heck, on the C64 (probably not just there) it wasn't unusual for composers to write their own composing software and playback routines.
- holri 13y agoIn the C64 days I programmed my TI99/4A to play Bach. It sounded awful. The interpretation had no soul. Soul is not blind testable, like art, because it comes from the heart, not the brain.
- Stwerp 13y agoIs soul the imprecision of notes not being perfectly uniform in duration and velocity? That's what your above comment seems to imply. For instance: Consider a recording from a piano played by a human and a computer-generated MIDI file of the same musical piece with included variation/noise in BPM, note duration, velocity, timing etc. This would result in at least single-blind test for `soul' if you were to listen to it. You could tell us which piece you think has more, or any (I'm not sure if soul is quantifiable or just a binary existence) soul.
- holri 13y agoNo soul, is not imprecision. It is the expression of humans feelings in form of variation of duration, velocity, loudness. For example speed in music is like speed in breathing. You are not breathing with the same speed all the time. It depends on the context. If you are in a hurry you breathe fast and short. If you sigh you breathe deep and slow. An interpret has to understand the emotions that should be transported. These emotions are unfortunately not sufficiently presentable in MIDI files or music notation. As Mahler said the essence of music is not in the sheet. Therefore a computer can not reproduce the essence of music.
- PavlovsCat 13y ago> Therefore a computer can not reproduce the essence of music. Music that wasn't written on and for a computer, no. Yet it's perfectly possible to manually craft "variation of duration, velocity, loudness" for every single note of every single instrument -- just not by feeding music in standard musical notation into a sequencer unchanged! I agree that MIDI isn't very sophisticated, but it's hardly the last word of music written on and played back by computers. Just consider how young this all is! I'm pretty sure physical instruments and the songs played on them started out kinda simplicistic, too. And tribal music for example often isn't so much about expression emotion, but putting people into a trance-like state by endless repetition, and techno does that just nicely already. It's not my cup of tea generally, but I get the same out of chip tunes: I don't need sophisticated music, I just need a canvas for my ears and soul to draw on, I can fill in the blanks or dream up harmonies on my own. > An interpret has to understand the emotions that should be transported. True, but also a.) it doesn't stop there. Beauty is in the eye of the beholder, and if a simple "gridlike" composition makes me sad, happy or gives me goosebumps, that's "soul enough" for me. Even the soul of a simpleton is still a soul :) b.) the computer enables composer and interpret to be the same person.. and if they so desire, they can put endless amounts of detail and emotion into a piece. Personally I have no doubt that people like Mozart would have been all over computers as an instrument, and the wide range of expression they offer already.
- holri 13y ago
- vidarh 13y agoAnd all your experience tells us is that the Ti99/4A did not have good sound chips and/or you are not good at writing music for it. Meanwhile, I still listen to certain C64 music regularly that I greatly enjoy, because the composer knew how to extract great music even from something as limited as that.
- holri 13y agoNo, the TI99/4A had no understanding of music. You have to have emotions to understand music. A Computer does not have emotions.
- tesseractive 13y agoSo does that mean that piano music played on an insufficiently fancy piano is soulless as well?
- holri 13y agoI have a Kawai MP10 digital Piano and an old hand made analog Hofmann piano. If I play for example just the last Chord (6 Notes) of Chopin Prelude op. 28/4 on the Hofmann the music goes deep through every nerve. Nothing comparable happens on the Kawai even with very good speakers.
- tesseractive 13y agoAre you saying that those 2 data points constitute a spanning set of the possibilities?
- holri 13y agoDo you understand the concept of a example?
- yongjik 13y agoThat's what people who buy monster ethernet cables say.
- bane 13y agoBad musicians frequently blame the instruments.
- holri 13y agoYou mean good musicians do not distinguish good and bad instruments?
- bane 13y agoA good musician can play world class music on a rusty spoon, a used pie plate and a one-string-out-of-tune-$20-guitar. Crap musicians are those that rely on fancy instruments to make up for their lack of basic musicianship. Even a drunk martini bar pianist can sound halfway decent on a $70k Steinway or Bösendorfer.