I'm not sure if "producer or publisher" are supposed to be distinct entities in this context? Either way, that's not an intuitive conclusion. I've seen a lot o

I'm not sure if "producer or publisher" are supposed to be distinct entities in this context? Either way, that's not an intuitive conclusion. I've seen a lot of films on Netflix I would have never seen otherwise. Lots of Korean films for example. I can't think of another way I'd have been exposed to this content. So in that respect, if the publisher is seeing any compensation at all it seems like a good investment. I've also seen a number of older US releases that are on my "eh, got a couple hours to burn, I'll give it a shot" list. I wouldn't have bothered to commit to a $3.99 iTunes rental for those features, but on Netflix it's "sure, why not?". I (and most people I assumed) don't really have the patience to wait a few years for 1st-tier media to drop on Netflix, so it really doesn't substitute existing consumption. Except in children's programming I guess now that I think about it. Much more convenient to have Curious George or what have you without the barrage of advertisements on cable.