Never thought about the hfr with a movie like End of Watch, not sure I agree though. I like the staccato motion of films like that and hfr may be too real, hon

Never thought about the hfr with a movie like End of Watch, not sure I agree though. I like the staccato motion of films like that and hfr may be too real, honestly I'd have to see it before I could answer. Although an action flick like the Bourne series, The Matrix, or other fast paced action heavy movie could benefit from the smooth motion. My money is still on sci-fi and futurism, especially something that needs to feel a bit sterile. And it definitely raises the bar, more so than SD to HD did. Everything from make-up, props, set design, lighting, acting, everything will have to adjust. Post might take the biggest hit. Post-production times will quadruple. It takes a lot longer to retouch/wire removal/matte painting at 60fps than 24fps. And you can hide a lot with the motion blur at 24fps. I trained a group of photoshop retouchers in motion vfx. The biggest adjustment for them was learning that it didn't have to be perfect because it was hidden behind motion blur at 24fps. It just had to fool the eye for a few seconds as opposed to a still that someone is staring at. Moving to 48 and 60fps will reverse that, it will need to be nearly as perfect in motion as a still image.