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Personally I don't see a single clear line where you should stop so I think that it should probably be spelled out in the competition rules. I think it's fairl
by Goladus 13y ago
Personally I don't see a single clear line where you should stop so I think that it should probably be spelled out in the competition rules.
I think it's fairly easy to describe either side of the line even if the line itself is a little blurry.
When post-production edits of a documentary photograph change the time and location of relevant people and objects, the journalist has some responsibility to disclose those edits to the viewer/judge.
When post-production edits merely enhance the clarity of the image, or the image is clearly not meant to be documentary, there is less need for such disclosure. Even though bias is present at all stages of the process, that includes even shot selection to begin with so presence of bias alone is not an indicator of which side of the line a particular image might be.
Obviously the first step is to determine whether an image is being passed off as a documentary photograph or an art photograph. Almost no one cares whether a photo of Sheryl Sandberg in TIME is heavily doctored (i.imgur.com/lFwMNia.png). Presumably, the photos in the contest were. This was a photographic report of a real and notable event.
Then the question is whether the modified elements of the photograph are relevant to the associated story. In most cases, filters and contrast are not relevant; although they could be in some edge cases. For touch-ups and smudging, the question is what are you touching up and smudging? A minor blemish on someone's face might not be relevant, but replacing a rifle with flowers could be substantial. A composite to eliminate someone's eyes being closed doesn't change the substance, but eliminating someone's presence entirely would be substantial.
Of course, a competition might have even stricter standards but from a consumer standpoint, that's where the line should be. An artistic collage photo meant to concisely tell the story of an event is fine, even if it LOOKS like it's almost real, but the nature of the photo should be disclosed. It shouldn't be passed off as a documentary photo.
- AnIrishDuck 13y ago> In most cases, filters and contrast are not relevant; although they could be in some edge cases. This makes me think of the infamous Time magazine cover featuring O.J. Simpson: http://en.wikipedia.org/wiki/File:OJ_Simpson_Newsweek_TIME.png http://en.wikipedia.org/wiki/File:OJ_Simpson_Newsweek_TIME.p...