A recording is fake music as much as cinema is faked theatre. They're two different expressions, and both can be amazing. I don't understand why artists that ad

A recording is fake music as much as cinema is faked theatre. They're two different expressions, and both can be amazing. I don't understand why artists that adjust to one form deserve to be paid while the others don't... Also, producers, engineers, etc. that enable recorded music to be fine tuned to perfection deserved to be paid. They won't go on tours. The real question is: are labels/distributors paid too much? In this day and age, I think so, and that's why services like Bandcamp deserve to be supported.