i'm not entirely convinced basing english poetic constraints on morae makes sense. for faux-senryu in particular, i've found that simply sticking to 5/7/5 sylla

i'm not entirely convinced basing english poetic constraints on morae makes sense. for faux-senryu in particular, i've found that simply sticking to 5/7/5 syllables, coupled with a good feel for the rhythms of english speech, produces very pleasing results.