tl;dr version: movie critics are now experiencing what audiophiles once did, and are longing for the days of pleasant distortion. (Can't come up with an analogu

tl;dr version: movie critics are now experiencing what audiophiles once did, and are longing for the days of pleasant distortion. (Can't come up with an analogue of "euphonic" this early in the day.) Yes, it's true that directors took advantage of the limitations--but now they can learn to take advantage of what HFR provides, and eventually audiences will learn the new conventions.