You might be interested in language models the same way lots of great artists in the past have been interested in generative art. Burroughs would be an example.

You might be interested in language models the same way lots of great artists in the past have been interested in generative art. Burroughs would be an example. More broadly, you might be interested in language models because they are new, and you don't want to discount the value of new, constantly-evolving tools for your art form until you have explored them and understood their strengths and limitations. I personally have not found language models very useful at all for serious work thus far. I am curious, though, about why many people are openly dismissive of the potential artistic value of what is an extremely new tool, and - maybe more importantly - those who choose to use it. How other writers write doesn't strike me as any of my business, beyond what I can learn from their methods.