3 ms·
The economics of this fascinate me. There is absolutely no way selling paper copies of a single book (even/especially if it changes daily: what happens to unsol
by decimalenough 2mo ago
The economics of this fascinate me. There is absolutely no way selling paper copies of a single book (even/especially if it changes daily: what happens to unsold stock?) can cover the costs of ground floor retail store rental in the Ginza plus apparently engaging boutique branding agencies to do in depth explorations of a logo complete with a custom typeface.
For reference, a standard bunko paperback in Japan costs on the order of ¥600 (US$4), maybe 2-3x that if you splash out on the hardcover.
- airza 2mo agoI would guess they are pricing them higher because the clientele are probably paying more. What is the normal rent for a small room of that size in Ginza?
- Arodex 2mo agoI would imagine there is a marketing budget covering the losses. Also, maybe the retail store owner is making them a favor regarding the rent, as the space can be cleared out quickly if they find a new tenant able to pay the full cost. And maybe the owner is a book lover.
- shit_game 2mo agoThis strikes me more as an art project than a commercial endeavour. It can obviously be both. I've worked with a friend on a similar boutique concept, and one of the driving factors in its possible success is scarcity economics, or the deliberate limiticy of products that drives intrigue, percieved value, and experience. These are all things that brand designers work tirelessly on (either to embody or avoid, branding is a very bizarre world in which many approaches work in many markets). I would wager a good bit that this probably lost money in isolation, but it being part of the design firms portfolio, it probably adds more value than it cost in credibility and brand identity/authenticity for themselves.
- tecleandor 2mo agoTotally. I'm familiar with the fascination (at least in Tokyo) with pop-up stores or new tiny places that sell just one niche thing (let's say "boutique popcorn", or a certain new type of doughnut) and are heavily marketed through SNS (social networks). But those places are quite ephemeral and are sustained by huge queues of people trying to buy "the new thing", and die in some weeks. But with the Ginza location, even not being in the main street, no way they're covering the costs unless they're selling them for tens of thousands of yens each. Also it's not like a new thing, they have Google reviews since at least 10 years ago. Unless they own the building or it's a marketing thing, I don't understand the business.
- c22 2mo agoI think sometimes commercial landlords will offer a below-market deal on a small space for an interesting concept with the idea that it will bring more foot traffic to the area and increase the value of their other holdings. Being off the main street adds some support for this motive.
- softgrow 2mo agoThe economics of bookstores in Japan favours the shop owner much more than other places. Books are sold on consignment, you order books and pay the wholesaler once sold. Book doesn't sell, not your problem, return it to wholesaler. Publishers are also allowed to fix pricing on a new book. So you could make money but not a lot as the store owner pays freight. 2006 presentation from member of Japanese Book Publishers Association (English language) https://www.jbpa.or.jp/en/pdf/bookmarket.pdf https://www.jbpa.or.jp/en/pdf/bookmarket.pdf or more recent from 2022 https://www.jbpa.or.jp/en/pdf/presentaionatTIBE2022.pdf https://www.jbpa.or.jp/en/pdf/presentaionatTIBE2022.pdf, Both linked from https://www.jbpa.or.jp/en/index.html https://www.jbpa.or.jp/en/index.html
- ShinyLeftPad 2mo agoIt changes every six days as the article says
- jehna1 2mo agoI'd bet that the product is not the book, it's the venue: a publisher would pay a lot of ¥ to get a new book to a place where people see their book, not to mention to a place where there's just one book in display and people probably queue to see that specific book.