No, well the point was that noise, chorus, or feedback did not exist. There was no such thing. Therefore, the technical workaround was to place two amplifiers,

No, well the point was that noise, chorus, or feedback did not exist. There was no such thing. Therefore, the technical workaround was to place two amplifiers, face to face in order to "mimic" distortion. This is the way that "Loveless" (1991) was recorded, sans anesthesia.