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> I often get sad that this is becoming a lost art. Great filmmakers with big budgets are still doing this type of practical effects work (Nolan [Interstellar],
by dylan604 7mo ago
> I often get sad that this is becoming a lost art. Great filmmakers with big budgets are still doing this type of practical effects work (Nolan [Interstellar], Villeneuve [Dune]), but I think eventually it will be lost in time.
Another one of the things that I appreciated from George Miller with Mad Max: Fury Road. There's definitely CG used, but so much of the stunts were real and not SpiderMan level nonsense.
- beloch 7mo agoIn the recent Mad Max films, Miller used CG for compositing, but insisted that all the action be real. There are no CG people jumping bikes over 16-wheelers. CG was only used to get rid of safety equipment, change the sky, etc.. The results feel viscerally real.
- dylan604 7mo agoGuitar dude's exploding rig was definitely CG. Don't kid yourself that it was limited to what you stated. Yes, the stunts were real humans, but it also had CG elements
- halestock 7mo agoDo you mean the flamethrower guitar? That was real.
- dylan604 7mo agoI'm talking about the end of the flamethrower guy when the rig wrecks. There's a bunch of debris that flies around including the steering wheel that perfectly comes at camera spinning exactly times so the center wipes the frame. That sequence has lots of CG
- lamasery 7mo ago[dead]
- rcxdude 7mo agoThis has tended to be significantly overblown recently with a huge amount of 'no CGI' advertising coming from studios, which often verges into utter BS. There's an incredible amount of CG at every level of modern productions, regardless of how much stuntwork and practical effects were done as well. (this video series has a good breakdown on it, which has included studios releasing doctored 'behind the scenes' footage! https://www.youtube.com/watch?v=7ttG90raCNo https://www.youtube.com/watch?v=7ttG90raCNo ). That's not to say that doing these things is pointless or unimpressive, but it's often used to denigrate and minimize the work of a lot of already quite underappreciated artists.