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A lot of people seem to compare the earnings from one listening on spotify to the sale of a single... Thing is, you have no idea how often that single is playe
by tjoff 14y ago
A lot of people seem to compare the earnings from one listening on spotify to the sale of a single...
Thing is, you have no idea how often that single is played. If the customer are crazy about it the musician would most likely earn more if he listened through spotify rather than buying it. If on the other hand the customer gets bored of it quickly the musician would barely get anything through spotify.
Also, one listening doesn't equal to a lost sale. Especially considering how easy (and wonderful) it is to just be able try new stuff out when there is no barrier or cost associated with it.
Musicians get waay more money from me thanks to spotify than they ever would get otherwise. And I bet there is a whole generation where this is/will be quite common.
There are winners and loser though, those artists that make songs that only last two weeks probably loose on spotify. I see that as a bonus.
- thirdsun 14y agoAnd that's the problem: You, as a listener, think you're doing the noble thing by using spotify instead of pirating, but it really doesn't matter if those two are the only options you'd consider. Of course you're on the legal site of music consumption now, but don't fool yourself into thinking that artists should be well off thanks to you. Well known by now, but have a look at this infographic again: http://www.informationisbeautiful.net/2010/how-much-do-music-artists-earn-online/ http://www.informationisbeautiful.net/2010/how-much-do-music... I admit I'm a rdio subscriber and artist, but rdio, for me, just serves as a tastemaker, pre-listening source and mobile collection without limited space - everything I like, I buy elsewhere in lossless formats. Sadly, I guess that's a rather rare use of streaming services as people will often see them as a replacement to buying things they enjoy.
- tjoff 14y agoNo, the problem is the record labels. They are the ones that hinder artist revenue from services such as spotify. I don't consider pirating and yes, if spotify (and all similar services) were shut down and I were forced to buy albums on CDs the artists would get much less money from me. Also remember that the day I end my spotify subscription I have nothing to show for it. I've spend many hundreds of dollars on spotify and the day I stop paying I will not have a single track to show for it. How many people actually constantly buys music every month? A monthly spotify subscription isn't much per month but it adds up.
- crucialfelix 14y ago> If the customer are crazy about it the musician would most likely earn more if he listened through spotify rather than buying it. Estimates vary, but $0.0033 is quoted as a possible pay per stream from Spotify. I had some plays on one invoice from a label but it was less than a penny. [for comparison: I've gotten $75 for a single play on BBC] So for a 99 cent track you would get 300 plays for that price. That means 10 times a day for 30 days if you are really crazy about it (you are either a teenage girl or you are trying to piss off your neighbors). Or 3 times a day for 100 days. Or 10 times a year for 30 years (let's just guess that its highly unlikely that you are still on Spotify or that you are using the same mp3) [edit: calculator fail] For a 5 minute song that's 1500 minutes of stereophonic pleasure. 25 hours. Let's assume you bought the entire album. 10 tracks. That's 250 hours total listening time. This is what you'll have to do in order for the artist to earn the same amount as your $9.99 album purchase would have brought in. > Musicians get waay more money from me thanks to spotify than they ever would get otherwise. By which I'm guessing that you aren't a music collector and you didn't really buy music anyway. Purchasing music, especially vinyl or nicely crafted packaged CDs is about building a collection that expresses who you are. People come over and you get out the records. They look through your CD or record shelf while they are at your place. This ritual is how people connect, find out about the other person and it opens up conversations. That era is gone. Digital weakened that and selling digital is just a fake simulation of the era of buying physical recordings. We know its dead, it was transitory and the era of replication is over. Its not just the economics, its abundance. Still, buying music (even if its a dead art form) is not to obtain a utility value. Its purchasing a signifier of self identity. I've had Spotify beta since 2008 and I've loved going through the massive back catalogs and listening to stuff. It was insane how much music they loaded into the system back then. Once they opened it up to the public they had to axe most of it when they couldn't get deals with the labels.
- tjoff 14y agoYou (and thirdsum), as well as most others, make the other big mistake and looks at what the artist makes. Which is kind of irrelevant. Look at what the record label is making from spotify streaming. Also I don't get your BBC-comparison, did BBC broadcast it to one person? Spotify can hardly be blamed for the artist having a crappy deal with his/her record label. And the reason for why it is sooo bad is of course because it hasn't matured yet. But the only problem in the equation is the record labels. The reason for why I didn't buy albums was because I didn't enjoy listening to albums. I enjoy listening to tracks and I don't feel like buying twenty when I only like two of them. It doesn't help that buying an album and having it in my shelf "says something about who I am" when I really didn't want the album to begin with. Not to mention how inconvenient a pressed CD is for someone like me.