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> Can someone smarter than me explain what this is about? I think you can find the answer under point 3: > In this work, our primary goal is to show that pret
by Kalabint 10mo ago
> Can someone smarter than me explain what this is about?
I think you can find the answer under point 3:
> In this work, our primary goal is to show that pretrained text-to-image diffusion models can be repurposed as object trackers without task-specific finetuning.
Meaning that you can track Objects in Videos without using specialised ML Models for Video Object Tracking.
- echelon 10mo agoAll of these emergent properties of image and video models leads me to believe that evolution of animal intelligence around motility and visually understanding the physical environment might be "easy" relative to other "hard steps". The more complex that an eye gets, the more the brain evolves not just the physics and chemistry of optics, but also rich feature sets about predator/prey labels, tracking, movement, self-localization, distance, etc. These might not be separate things. These things might just come "for free".
- fxtentacle 10mo agoI wouldn't call these properties "emergent". If you train a system to memorize A-B pairs and then you normally use it to find B when given A, then it's not surprising that finding A when given B also works, because you trained it in an almost symmetrical fashion on A-B pairs, which are, obviously, also B-A pairs.
- jacquesm 10mo agoThere is a massive amount of pre-processing already done in the retina itself and in the LGN: https://en.wikipedia.org/wiki/Lateral_geniculate_nucleus https://en.wikipedia.org/wiki/Lateral_geniculate_nucleus So the brain does not necessarily receive 'raw' images to process to begin with, there is already a lot of high level data extracted at that point such as optical flow to detect moving objects.
- Mkengin 10mo agoInteresting. So similar to the vision encoder + projector in VLMs?
- DrierCycle 10mo agoAnd the occipital is developed around extraordinary levels of image separation, broken down into tiny areas of the input, scattered and woven for details of motion, gradient, contrast, etc.