2 ms·
I share your concerns, though I'm optimistic it's not quite so bad. For one thing, I've noticed in some places that gentrification is not monotonically increasi
by potatolicious 14y ago
I share your concerns, though I'm optimistic it's not quite so bad. For one thing, I've noticed in some places that gentrification is not monotonically increasing, and is in fact cyclical.
I lived for some time in Belltown (Seattle), a former starving-artist neighborhood that then got hit by the gentrification bug really hard. At this point the artist population in that neighborhood hovers around zero, and has all been replaced by high-rises and expensive but mediocre bistros. From the long-timers (well, longer-timers) I've spoken to, Belltown is actually less expensive than at its peak, as the complete eradication of everything interesting about the place has caused it to lose a lot of the appeal - to the point where it may actually be cheap enough for art to exist again :P
The artists are alive and well - we're simply seeing a slow, decades-long process where different demographics ebb and flow in the different parts of a city. On a larger scale, we're also seeing a decades-long process where populations ebb and flow amongst different regions in response to economic pressure. Detroit has now established itself as perhaps the next "it" place in large part due to its affordability. I highly doubt America will ever run out of compelling environments for art to thrive.
FWIW, I'm a little skeptical about your Q train experience. I ride that train (and the F, more the F than the Q) regularly and have very, very rarely encountered that kind of attitude. IMO you're making a mountain out of a molehill - I would be very hesitant about guessing at demographics from it.
> "and realize the charm of the entire place is in danger of being lost."
Sure, and I'll agree with you - but my point also is that you weren't there first. Williamsburg was interesting and artsy before the new demographic moved in, but it was also completely different and interesting before the starving artists moved in. The existing charm you now miss was, in its time, an usurper of existing culture as well, and that turned out ok. I suspect this will also.
- mtalantikite 14y agoYeah, I think we're for the most part in agreement here. My main questions though are around what happens when the whole city becomes so expensive that it's impossible to live here on a budget. Sure, you can keep going further and further out, but at what point does it not make sense to even live here anymore, if you are an artist that wants to spend time creating and have no intention of trying to pull in 6 figure salaries? It's not like all of a sudden Chelsea got cheaper as Fort Greene got more expensive -- the entirety of Manhattan is out of reach, and now most of the western part of Brooklyn and Queens is as well. I use the anecdote of the Q train not to make a generalization as to how the train is -- this was certainly an exception -- but to illustrate the fact that I'm finding myself unable to socially understand many of the current wave of people coming into the boroughs. The charm I miss isn't really hipsters running around Williamsburg, in fact I don't miss that at all. It's more about the diversity of a place, both racially and economically. Seeing people drive down Union Street in Rolls Royces makes me second guess why I live here.