I’ve been (really, really) into photography since I was six, and I’m still (really, really) at it three decades later. I never felt much appeal toward photograp

I’ve been (really, really) into photography since I was six, and I’m still (really, really) at it three decades later. I never felt much appeal toward photography as an art form – it’s always been a way to capture moments and share them with people I care about. These days I play with both AI photography and “normal” photography. My main camera is the A9 III with a global shutter – a machine gun that fires 120fps RAW files. I shoot a lot of sports, and the people I photograph are thrilled to get such high-quality shots of moments that mattered to them. It doesn’t really matter how much cultural value society attaches to photos – those captured moments will always be meaningful to them, and they feel joy when they see them. That’s the whole point of photography for me. AI photography is a bit different. I take 15–20 photos of a friend’s face with my camera, train a LoRA model to use with Flux1.dev, and upload it to network storage on RunPod. Then I spin up a serverless worker on an H100 that runs the ComfyUI API, and use my own Flutter-based frontend to play with prompts and generate new photos of that person. I can make far better headshots this way than in a real studio. For some friends, it’s even been a therapeutic experience – seeing so many high-quality images of themselves looking confident, happy, and fully alive helped them feel that way, even if just for a moment. One friend told me, “You did more with these AI photos of me than therapy did in the past year.”