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The contemporary “ick” about street photography is the ick of non-consensual capture. Everyone feels it to some degree; I stopped doing street photography work
by exasperaited 1y ago
The contemporary “ick” about street photography is the ick of non-consensual capture. Everyone feels it to some degree; I stopped doing street photography work and even most social photography (including paid work) because I felt it and I wasn’t ready to navigate those feelings.
This “ick” is real and it’s good that you feel it, because you can build on it for a sense of ethics about photos and the use of the camera, about how its gaze affects subjects, about how to reduce that impact.
A solution for you is to focus on photography with people posing for photos who want the photos, or people posing for photos who want money. Try art nude, even: it is fascinating, liberating, has a very strong historical and creative through line, and will teach you a lot.
I have developed a much stronger sense of the ethics around my photography and a little more personal confidence, so I might yet give street photography a go again in future, if I think I have something specific to say.
- angelgonzales 1y agoAbout a decade ago some guy thought I was taking a picture of him and his girlfriend, they were very uninteresting subjects and I didn’t take any pictures of them but he followed me and sucker punched me. He was caught quickly and I pressed charges and since he had priors he didn’t make bail and was sentenced to 2 years in prison which I don’t think was enough because even a soft punch could kill someone. After that I began carrying non-lethal and lethal tools for self defense and stopped worrying about hurting people’s feelings when I take pictures. If people tell me off I tell them off because ultimately our conflict is based off of differing arbitrary opinions. I concluded that art is a human right and I should never feel guilty or bad about making it. Art is noble and it’s a high pleasure and part of being human. I have a short time in this life to create art so I should just do what I feel is pure and what I want. I’ve also concluded that if I did what everyone told me to do (or what they told me not to do) I’d be eating ten pounds of spinach a day, waking up a 5 AM, drinking a gallon of milk a day, buying timeshares and joining the Marines! Obviously I wouldn’t be doing what I want, my point is that artists need to listen to their inner voice and follow wherever that takes them.