> For example, each short story almost completely changes the cast (of course, with some descendants of characters appearing occasionally) I wish directors wer

> For example, each short story almost completely changes the cast (of course, with some descendants of characters appearing occasionally) I wish directors were brave enough to kill off characters if it serves the plot. I get that there's IRL reasons that make it difficult (like contracts, scheduling, etc) but each new season accumulates more subplots to the point it's like a 30 minute episode is really a compilation of 3x 10-minute shows. This bugs me in multiple-protagonist books too. Just feels like an excuse to pad the page count with introductions and cliff hangers every POV switch.