The syntax is pretty relevant for the kind/compexity of the aspired music. The music from the examples is quite simple compared to what Soerensen does with his

The syntax is pretty relevant for the kind/compexity of the aspired music. The music from the examples is quite simple compared to what Soerensen does with his Lisp-like syntax. Strudel seems to go more towards SuperCollider syntax, which from my humble point of view is better suited for offline productions.