The post-humous discovery and promotion of previously unknown works by unpopular Authors has always represented a major component in 19th-21st Century Publishin

The post-humous discovery and promotion of previously unknown works by unpopular Authors has always represented a major component in 19th-21st Century Publishing. John Kennedy Toole is probably the exemplar of this, in that 'A Confederacy of Dunces' was unpublishable during his lifetime, but became the picaresque national narrative after a large push by Walker Percy to get it published a decade after Toole's death. It ended up winning the Pulitzer the following year. Stoner, a novel by the American writer John Williams, is a lesser known but no less apt example. In 1963 Williams' own publisher questioned Stoner's potential to gain popularity and become a bestseller. It sold fewer than 2000 copies, and was out of print a year later. After subsequently being discovered and championed by literary luminaries like John McGahern, it was republished and translated into several languages, selling hundreds of thousands of copies across 21 Countries. By 2013, the book had achieved international best-seller status. I'd urge anyone with a love for academia, literature, or modern bildungsromans to give it a go. To me it's effectively 'American Gothic - The Novel' https://www.theguardian.com/books/2013/dec/13/stoner-john-williams-julian-barnes https://www.theguardian.com/books/2013/dec/13/stoner-john-wi...