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I don't want to defend humanities academia too much, but you could ask the same about pure math too. Of course the correctness of proofs is a checksum, but that
by bonoboTP 1y ago
I don't want to defend humanities academia too much, but you could ask the same about pure math too. Of course the correctness of proofs is a checksum, but that doesn't answer which direction one should develop it or whether the thing you developed is found to be useful and interesting and elegant to other pure math people (often like a dozen worldwide).
There's not further justification needed than the fact that other high prestige people find it cool and mind-blowing.
Now my own opinion is that humanities academia is not a good concept. Literature, poetry, art are all great. But merely thinking and chatting about it is not a field. By all means go write great novels that express the human condition. But better go live a real life with adventure and real non-academics around you and write about that. Like Hemingway. Or write poems or paint impactful paintings. But simply writing about that is the equivalent of a reaction YouTuber.
Now the steelman is that they make a complex literary work better understood by unfolding its layers, relating it to the context, analyzing its impact and influence etc. so the work becomes better and deeper understood.
- DiscourseFan 1y agoWell yes but its not what you think. Philosophy as a field in the US has become too narrow. I remember taking a class in the German department on German Romanticism, which was actually very important for understanding later developments in German philosophy and some of the authors involved are even referenced directly by Hegel in his Lectures on Aesthetics. But when I was doing my Philosophy MA one of the faculty members was complaining once, in a class on Aesthetics, that they couldn’t teach German Romanticism as a class because the school had deemed it “too literary” and we just had one seminar on it. Its also the case that you wouldn’t have a great understanding of, say, Plato or maybe even Aristotle if you studied them in philosophy vs Classics, since in the latter you actually read and analyze the text at the level of the grammar and open up the complexity of the potential intepretations, whereas in Philosophy there is often a somewhat rote or dumbed down version of Plato and Aristotle taught to undergrads because the teachers don’t actually know any Greek. But that depends on the faculty and the course obviously, I just wouldn’t trust most philosophy departments to teach Plato well these days.
- bonoboTP 1y agoYes, this is the curse of specialization due to ever more intellectual works in existence but the same amount of time per person. I think it's much better to learn in an integrated way, so history, art, science, politics, philosophy, technology, math, economics in a sort of horizontal, cross-cutting way. For example to understand the political relevance of some art movement, you need to know the history of the period, understand the art, the political climate, the philosophical underpinnings. To understand the impact of Darwin on his time, you need to know the historical context, and I'd argue you should actually understand evolution too (not in a comic book fashion, but quantitatively including our modern understanding and what he couldn't know then), also his religious background, you should understand what is Unitarianism and what is Anglicanism, how the Catholic Church reacted, and how their general situation was at that time, etc. etc. But in my experience academics really dislike interacting with their neighboring fields, they look down upon each other in a mutual way, or they simply don't see any benefit in an exchange because their publications are aimed at extremely narrow specialized journals, and a "hybrid" work will not fit either journal. Of course sometimes it works, but in my experience "interdisciplinary" is mostly a buzzword that admins like to use a lot and academics also pay lip service to but in reality they highly prefer just sticking to their well known bubble and be left alone.
- BrenBarn 1y ago> I don't want to defend humanities academia too much, but you could ask the same about pure math too. That's true to some extent. I think math has built up enough credibility though because such a huge amount of mathematical investigation has turned out to have relevance in science which eventually trickles down to applied science. Even if the specific content of esoteric math isn't of practical use, the "machinery" developed for navigating the concepts often becomes an essential tool for other things that are more practical. It's interesting to think, though, if the prestige of math could decline as the stuff left to discover becomes more and more remote from practicality. > Now the steelman is that they make a complex literary work better understood by unfolding its layers, relating it to the context, analyzing its impact and influence etc. so the work becomes better and deeper understood. Yes, and I think that steelman is true. The important thing, though (like I said in another comment) is that it means what is important is not the specific content of the opinion but that process of unfolding, relating, analyzing and so on. So it can be useful to write about that, and to read what others wrote about it, even though in the end no one is really going to "find the right answer". > But simply writing about that is the equivalent of a reaction YouTuber. I'd say at the low end it can be like that. At the high end it can be more like one of those videos that breaks down "how movie X creates its suspense", or reading a good travelogue. Reading a book about someone's travels in Tibet isn't going to be the same as going to Tibet, and it would be foolish to read it hoping to replace such an experience. But if the book is good, you can still gain something from it, and it can potentially include things you wouldn't have gained by going there yourself, because the author can articulate insights you might not have been able to formulate yourself.
- bonoboTP 1y agoWhat I think is mostly missing the mark is treating this as an expertise that you learn in college, i.e. straight out of high school you go to college and then do a PhD and you interact in a bubble of people who are the same way. And you try to comment on the greats of literature, without any real world experience. I value it much higher to read critiques by different authors and artists, in a kind of Viennese coffeehouse gossip culture way. It's the equivalent of wanting to become an expert on the philosophy of ethics without ever having to resolve a real ethical conundrum in real life, like pulling the plug on someone's medical support or advising about authorizing an artillery strike or whatever other thing may arise with difficult tradeoffs outside neat thought experiments. It's being clever from the sidelines. So, I don't think it's a field of expertise, I think it's a teaching job. And teaching about art and literature and helping the new generation process the message therein is good. But it doesn't make it a research field. Indeed, the idea that a humanities teacher at university should have regular novel thoughts and innovations is a very new idea, from the 19th century, originating in the Humboldtian reform of German universities. Before that, teachers would read the classics to students and comment on them, but they mainly passed down the same type of commentary that they received in their education, of course with some of their own flavor, but it wasn't really seen as producing new knowledge, just making it easier to digest the existing high-prestige work of literature.