> This also creates some ambiguities, since you can play many notes on either the F# string or the D string. But context is enough to tell what Kodaly meant. I

> This also creates some ambiguities, since you can play many notes on either the F# string or the D string. But context is enough to tell what Kodaly meant. I found that sticking to the edited score's III/IV markings gets you in the right zone–there's enough other things to figure out haha.