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A few months ago, I was studying Giant Steps and I came across the “Giant Steps is actually very simple (yes, really)” video by Dave Pollack. https://www.youtu
by rectang 1y ago
A few months ago, I was studying Giant Steps and I came across the “Giant Steps is actually very simple (yes, really)” video by Dave Pollack.
https://www.youtube.com/watch?v=Xd75Mwo4JNo https://www.youtube.com/watch?v=Xd75Mwo4JNo
Pollack argues that the main reason that Giant Steps is such a high mountain is because it is traditionally played at such a ferocious tempo. Slow it down, and the Coltrane Changes become fairly ordinary ii-V-I substitution progressions.
I’m persuaded. I love Coltrane, and I’ve listened to the Giant Steps album countless times. The Coltrane Changes are very nice, but in the line of other jazz theory such as tritone substitution, the deceptive cadence, and so on.
The main thing with Giant Steps is that to play it like Coltrane does you have to practice it to death, accumulate a vocabulary of riffs, and gain facility at improvising over sophisticated changes moving at a speed that other tunes won’t have prepared you for.
EDIT: I originally posted the wrong link, to Giant Steps slowed down 30%. https://www.youtube.com/watch?v=ilbrDJy9-98 https://www.youtube.com/watch?v=ilbrDJy9-98
- asimpletune 1y agoAbsolutely. And Central Park West is a good example of the same concept but slowed down.
- schwartzworld 1y agoNot only does it cycle through a ton of keys, but wind instruments like the sax require unique fingerings and embouchure changes in each key. It’s not nearly as hard on a guitar.
- ciconia 1y agoAh yes the best welcome for people joining a jam session: "OK, let's do Giant Steps. One, one two three..."
- deleted 1y ago[deleted]