3 ms·
It’s possible their compression settings were actually exaggerating the peaks instead of compressing them, and then they did nothing to control those peaks afte
by tumult 1y ago
It’s possible their compression settings were actually exaggerating the peaks instead of compressing them, and then they did nothing to control those peaks afterwards. This is a really common thing that can happen with a superficial use of compressors. Especially if you did averaged loudness-matching of the compressed signal with the uncompressed signal. It ends up being spikier than before compression. I would entirely believe a waveform with those added spikes would be more damaging than a controlled waveform that had been saturated or limited after compression. I don’t have access to the original publication, so I can’t check and find out.
- ri0t 1y agoOr in short (as every modern producer already knows): Put a limiter on that! Actually, put a limiter everywhere - if you work in software, they're real cheap..
- jmkr 1y agoMy Bitwig template: limiter on master track. My Renoise template: limiter on master track. Now I have no fear of loading random presets.