4 ms·
I'm a professional film director. I also agree 100% with this statement. There is a huge variance in skill in all the creative professions. I've had the oppor
by thenomad 14y ago
I'm a professional film director. I also agree 100% with this statement.
There is a huge variance in skill in all the creative professions.
I've had the opportunity to work with some extremely well-known actors. Within five minutes of starting working with them, it was obvious why they were so well-known - their skill at the craft was, to a man/woman, extraordinary.
That's something I've found to be the case in other contractors on films, too. Most of the time, in my experience, the 3D artists who get the top jobs or command the highest contracting fees are the most skilled and the easiest to work with, for example.
If you want a really good basic guide to success in the creative arts, I recommend Neil Gaiman's University of the Arts speech:
http://vimeo.com/42372767 http://vimeo.com/42372767
- randomdrake 14y agoLove this speech. Thanks for linking it to the discussion. Neil Gaiman is incredibly talented and very intelligent. I was pleasantly surprised, the first time I saw this, by how good of an orator he is. That was my first exposure to him, outside of his comic books, and I found it very moving. Highly suggest this speech for anyone; creative arts or otherwise.
- nateberkopec 14y agoSalmon's point isn't that there is no variance in creative skill, it's just that there isn't enough to matter in the scheme of being "the best in the world". There's not nearly enough variance to compensate for the luck required to be in the top 100 out of several million. What you're describing is a "3-sigma" difference, but to be an A-list Hollywood star you'd need to be in something like the 50th sigma. That just isn't explainable by skill.
- lazerwalker 14y agoMy problem with his article is that he seems to only define "success" and "recognition" in terms of being within that top 100. There are a lot of startups that are profitable and have users loving their products that will never sell to Facebook for $1 billion. Using Salmon's argument, it takes pure luck to get to that Instagram-level of success. I buy that. I don't think it follows that all of those small profitable startups are therefore financial failures, which seems to be the conclusion he's drawn.
- nateberkopec 14y agoI don't think he does. You have to take the argument in context - he's talking about Nassim Taleb, who's interested in "Black Swan" 50-sigma outcomes.
- thenomad 14y agoI don't have enough data to prove or disprove this statement - although I do know a lot of working and non-working artists, and anecdotally skill seems to win out. I'd agree, if you're intending to be an A-list star and won't settle for anything less, luck is going to have to play a pretty significant role. But there are a lot of jobs and opportunities for an actor, for example, outside the "best of the best" situation. I was mostly replying in support of the comment above from randomdrake, however.
- nateberkopec 14y agoThat's his point though - extreme success requires extreme luck, not extreme skill. I think you're in violent agreement with Salmon.
- yummyfajitas 14y agoUm, the 50'th sigma is nonexistent on any physical scale. The 27'th sigma is 10^-317, and the 28'th sigma is too small to represent with doubles. For comparison, the number of atoms in the universe is about 10^80. Hollywood actors are, at best, in the 3-4'th sigma.
- nateberkopec 14y agoTaleb and Salmon are thinking about a non-normal fat tail distribution (that's the point of Taleb's book) so it's entirely possible.