Before adopting programming as my job and passion, I was a professional actor and I plan on continuing to act professionally when I move back to to a place wher

Before adopting programming as my job and passion, I was a professional actor and I plan on continuing to act professionally when I move back to to a place where it is more avaialble. Working professionally in many capacities for many years, I can tell you that luck certainly helps, for some people. This author completely discounts artists who trained, worked and pushed themselves for years and years to get where they are: regularly hired for awesome roles, being paid well, and doing it professionally day after day for their livelihood. The fact is that pretty much every successful novelist, every successful pop star, every successful artist is successful mainly because of luck. Oftentimes there’s skill involved too, but if you look hard enough, you’ll find just as much skill in the millions of unsuccessful strivers as you do in the tiny set of people who make it huge. There are a few things I find very wrong with this paragraph: 1) The definition of success. Even under the assumption of monetary gain, this just isn't a good statement. Success, for an artist can be measured in many other ways. That aside: plenty of successful actors got to where they were because they tried harder than others. They showed up to more auditions than others. They worked hard training themselves in schools or other avenues. They were simply better at the profession with a greater understanding of how to get hired. This brings me to my next point. 2) Just as much skill in the millions of unsuccessful strivers. This statement is just not true. You will only find handfuls of people that are capable of pulling off, even basic, performances necessary for a professional venue. They are the exceptions and they are skilled and talented. They get work because of this uniqueness. They don't appear in shows over and over again because they are lucky, they appear because they present artistic, or even monetary, value to the production. I appreciated and enjoyed reading the article but the definitive nature of the statements from the author regarding "pretty much every" successful artist didn't sit well with me. For the reasons that the author illustrated earlier in the article, yes people do get lucky. But I don't think the conclusions are appropriate to apply to the skillsets of artists in this way. Artists can, and do, achieve successes on their own accord without lady luck. Sure, luck is helpful but for every 1 successful Hollywood star, there are scores of other successful artists working because they are simply better and more talented. You may never see these people on the silver screen. They are successful; in their own minds, and the minds of artists. All of this without regard to an agreed upon definition of success.