The best thing about this illustrated edition is Le Guin's own comments written in the past few years reflecting on these books. Here's the last paragraph on h

The best thing about this illustrated edition is Le Guin's own comments written in the past few years reflecting on these books. Here's the last paragraph on her comments on Tombs of Atuan. (Um, spoilers, I guess.) > Rereading the book, more than forty years after I wrote it, I wonder about many of its elements. It was the first book I wrote with a woman as the true central character. Tenar’s character and the events of the story came from deep within me, so deep that the subterranean and labyrinthine imagery, and a certain volcanic quality, are hardly to be wondered at. But the darkness, the cruelty, the vengefulness . . . After all, I could have just let them go free—why did I destroy the whole Place of the Tombs with an earthquake? It’s a kind of huge suicide, the Nameless Ones annihilating their temple in a vast spasm of rage. Maybe it was the whole primitive, hateful idea of the feminine as dark, blind, weak, and evil that I saw shaking itself to pieces, imploding, crumbling into wreckage on a desert ground. And I rejoiced to see it fall. I still do.